awkwardly to shake my hand, I at last recognized their odd mixture of pride and diffidence and concern for what it was, and felt suddenly â and quite unexpectedly â like a schoolboy invited to the home of a gifted but over-sensitive friend.
âWill you indulge me, Mr. Hartright,â said Ruskin, âand take a walk in the garden? Iâve been in the thick of it all morning, and canât see for the smoke, or think for the noise of the guns.â
Without waiting for a reply, he ushered me quickly out of the front door again, as if anxious to make good his escape before his parents had time to forbid it.
âIn the thick of what, may I ask?â I said, as we turned on to the carriage sweep. âA new piece of criticism?â
âI
am
struggling to finish the last volume of
Modern Painters,
â he said. âBut Iâm afraid Iâve come to the wretched conclusion that all my critical and historical work up till now has been almost valueless.â
âOh, come .. .!â I said.
âIt
is
a sad thought,â he said. âEspecially when youâve devoted your whole life to a thing, as I have. But when I look about me, and see the burden of dumb misery in the world, and calculate what an infinitesimally small fraction of it I have managed to lift with my ruminations on Turner or Veronese or the Gothic â¦â He shook his head.
âBut
Modern Painters
â , I said, âhas given delight â and instruction â to thousands. Millions.â I confess that I was slightly abashed, when I reflected how little of it I had read, and how long ago; but not sufficiently to prevent my adding: âMyself included.â
âYou are kind to try to console me, Mr. Hartright,â he said. He stopped, and turned on me a gaze of extraordinary candour. âBut â forgive me â you do not look miserable â at least, not in the way I mean. When I speak of misery, I am thinking of that great mass of suffering humanity which surrounds us, and which we see â and yet do not see â every day; and which we barely touch with all our ideals and concerns.â
He rounded the end of the house, and ducked his head to enter a dark tunnel, pungent with the scent of damp leaves, formed by a dense old laurel bush pressing against the wall.
âAnd that is whyâ, he said, the words â suddenly muffled now â floating back to me in the close air, âI have begun to turn my attention to the question of political economy.â
I was, I must admit, surprised that he should be so frank with me, and not a little flattered; yet mingled with my gratification, as I followed his stooping figure through the dimness, was a slight repugnance â although I could not, at the time, have told you the reason for it.
âYou may, of course, feel I have little enough reason to complain myself,â he said with a laugh, as we emerged behind the house. He gestured languidly towards the lawn, dotted with trees and artfully laced with winding paths that stretched away below us; and at the kitchen gardens and orchards and a row of farm buildings beyond. âOur own milk and pigs,â he said, âand peaches from the hothouses; and a meadow for the horses. Everything a mortal could desire, in fact, save a stream â and mountains.â I glanced towards him, and saw that he was smiling, and that he had the grace to blush.
âBut enough of me, Mr. Hartright,â he said, suddenly setting off again. âI have a lecture this evening, and fear I must leave at four oâclock. So, tell me, how fares your tremendous undertaking?â
âItâs scarcely begun,â I said. âBut I have spoken to a few people who knew Turner.â
âAh, yes,â he said. âWho?â
I told him. He made no response of any kind; so I went on:
âAnd my sister has been to see his housekeeper.â
âAh, the good Mrs.
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