go.â
âIn a minute.â Melanie needed to gather her thoughts. âHow well did you know Pauline McMasters, Hank?â
Hank shrugged. âNot well at all. I met her when I got in the troupe. She was fiery, though, Iâll give her that. She and Leona had some bang-up fights. You thought you saw a fight between me and Leona today. You ainât seen nothing till you seeââ Hank realized what she was about to say. âIâm sorry. Itâs so easy to forget.â
âWhat do you think happened between her and Leona, Hank? Why do you think she quit the troupe?â
âShe decided it wasnât worth the work and putting up with Leona, I guess. But you know, Mel, there was one thing funny about that situation.â
âWhat?â
âWe got to where we could almost count on a fight every rehearsal, or at least a severe disagreement. But the last two days Paulie came to rehearsals, she seemed different.â
âHow different? Describe her.â
âWell, she seemed distant, fuzzy, not really there. Pauline didnât do drugs, did she?â
âOf course not, Hank. Did she act like she was on drugs?â
âI sure wouldnât say she was herself. Leona took Paulie into her office a couple of times, and Paulie would come out looking subdued. It was like Leona had found the magic words to make Paulie behave. Until that last day.â
âWhat happened then? None of us knows. Paulie was going to tell me about it, but she didnât get a chance.â
âIâm sorry. I liked her.â Hank looked out the window for a minute. âPaulie stormed into the school, and before Leona could talk to her, do anything, Paulie backed Leona into a corner. Can you imagine backing the dragon-lady into a corner?â
âI canât. I wouldnât have the nerve.â
âWell, Paulie did. I guess that was the source of their problems. Anyway, none of us could hear what Paulie said to Leona. Believe me, we wanted to, but for once they kept their voices down. Whatever was discussed must have gotten out of hand. Paulie shrieked, jerked off her necklace, and threw it at Leona. Then she marched out, past Vodka, past all of us, not looking at anyone, out the door, slamming it behind her. It was a good show, but I wished weâd heard all the lines.â Hank laughed.
âSo do I.â Melanie said. âSo do I.â She grabbed a grocery bag with two loaves of French bread, jumped out of the car, and slammed her door. Suddenly she was starving, but at least she finally had some food for thought.
seven
W HEN THEY WENT through the dark wood doors in the center of the building, they found a security door and a wall of buzzers for each apartment.
âWhich one do we want?â Hank asked.
âNumber Câ6.â Melanie shifted the bag so she could see.
Hank pushed the button for Câ6, then spoke into the two-way wall speaker. âHello the house.â
It was Anne who answered. âCome on up. Elevatorâs on the left, up six floors, the third door on the left.â The security door hummed for a second, then clicked open.
On the elevator, Melanie said, âI wish we had some kind of plan, Hank. If you get a chance to mention Paulieâs name, do so. Stuff like, âToo bad about Paulie, wasnât it.â Then watch peopleâs faces.â
âI wonder, Mel, if anyone knows anything about what happened to her except for Madame Leona?â
âMaybe not. And now that Iâve been around her, I realize sheâs a fanatic about dance, but I canât believe sheâd kill anyone.â
âEspecially for no more reason than dropping out of the troupe.â
Melanie stepped between the doors as they whooshed open, keeping the elevator stopped but not getting out. âThat sounds crazy, doesnât it? And Iâm sure it is, but we just need to know. None of us feels good about all of this,
Opal Carew
Anne Mercier
Adrianne Byrd
Payton Lane
Anne George
John Harding
Sax Rohmer
Barry Oakley
Mika Brzezinski
Patricia Scott