upstairs with my friends and find with them that the child playing with the pistol had killed her mother.
"I had little fear of the child's talking afterwards. Of, as I have said, limited mentality, loving and trusting me as she did, and in my hands both before and during any official inquiry that might be made, I knew I could very easily control her, make sure that she said nothing to reveal my part in the-ah-enterprise. But Maurice very nearly spoiled the whole thing. Coming home unexpectedly, he reached the bedroom door just as Gabrielle pressed the trigger. The tiniest fraction of a second earlier, and he would have been in time to save his wife's life.
"Well, that was unfortunate in that it led to his being convicted; but it certainly prevented his ever suspecting me; and his subsequent desire to wipe from the child's mind all remembrance of the deed relieved me of any further anxiety or effort. I did follow him to this country after his escape from Devil's Island, and I did follow him to San Francisco when Upton had found him for me; and I used Gabrielle's love for me and her hatred of him-I had carefully cultivated that with skilfully clumsy attempts to persuade her to forgive him for murdering her mother-and the necessity of keeping her in ignorance of the truth, and my record of faithfulness to him and her, to make him marry me, to make him think that marrying me would in some sense salvage our ruined lives. The day he married Lily I swore I would take him away from her. And I did. And I hope my dear sister in hell knows it."
The smile was gone. Mad hatred was no longer behind eyes and voice: it was in them, and in the set of her features, the pose of her body. This mad hatred-and she as part of it-seemed the only live thing in the room. The eight of us who looked at and listened to her didn't, for the moment, count: we were alive to her, but not to each other, nor to anything but her.
She turned from me to fling an arm out at the girl on the other side of the room; and now her voice was throaty, vibrant, with savage triumph in it; and her words were separated into groups by brief pauses, so that she seemed to be chanting them.
"You're her daughter," she cried; "and you're cursed with the same black soul and rotten blood that she and I and all the Dains have had; and you're cursed with your mother's blood on your hands in babyhood; and with the twisted mind and the need for drugs that are my gifts to you; and your life will be black as your mother's and mine were black; and the lives of those you touch will be black as Maurice's was black; and your-"
"Stop!" Eric Collinson gasped. "Make her stop."
Gabrielle Leggett, both hands to her ears, her face twisted with terror, screamed once-horribly-and fell forward out of her chair.
Pat Reddy was young at manhunting, but O'Gar and I should have known better than to stop watching Mrs. Leggett even for a half-second, no matter how urgently the girl's scream and fall pulled at our attention. But we did look at the girl-if for less than half a second-and that was long enough. When we looked at Mrs. Leggett again, she had a gun in her hand, and she had taken her first step towards the door.
Nobody was between her and the door: the uniformed copper had gone to help Collinson with Gabrielle Leggett. Nobody was behind her: her back was to the door and by turning she had brought Fitzstephan into her field of vision. She glared over the black gun, burning eyes darting from one to another of us, taking another step backward, snarling: "Don't you move."
Pat Reddy shifted his weight to the balls of his feet. I frowned at him, shaking my head. The hall and stairs were better places in which to catch her: in here somebody would die.
She backed over the sill, blew breath between her teeth with a hissing, spitting sound, and was gone down the hall.
Owen Fitzstephan was first through the door after her. The policeman got in my way, but I was second out. The woman had reached the
Tim Waggoner
V. C. Andrews
Kaye Morgan
Sicily Duval
Vincent J. Cornell
Ailsa Wild
Patricia Corbett Bowman
Angel Black
RJ Scott
John Lawrence Reynolds