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and say, "This is my body," the keenwitted Angelo observing that it's the first time he's told anything like the truth in fifty years of systematic lying. Altogether, a most anti-clerical scene, perhaps intended as a sop to the Puritans of the time (a useless gesture since none of them ever went to plays, regarding them for some reason as immoral).
The third act takes place in the court of Faggio, and is spent murdering Pasquale, as the culmination of a coup stirred up by Ercole's agents. While a battle rages in the streets outside the palace, Pasquale is locked up in his patrician hothouse, holding an orgy. Present at the merrymaking is a fierce black performing ape, brought back from a recent voyage to the Indies. Of course it is somebody in an ape suit, who at a signal leaps on Pasquale from a chandelier, at the same time as half a dozen female impersonators who have up to now been lounging around in the guise of dancing girls also move in on the usurper from all parts of the stage. For about ten minutes the vengeful crew proceed to maim, strangle, poison, burn, stomp, blind and otherwise have at Pasquale, while he describes intimately his varied sensations for our enjoyment. He dies finally in extreme agony, and in marches one Gennaro, a complete nonentity, to proclaim himself interim head of state till the rightful Duke, Niccol6, can be located.
There was an intermission. Metzger lurched into the undersized lobby to smoke, Oedipa headed for the ladies' room. She looked idly around for the symbol she'd seen the other night in The Scope, but all the walls, surprisingly, were blank. She could not say why, exactly, but felt threatened by this absence of even the marginal try at communication latrines are known for.
Act IV of The Courier's Tragedy discloses evil Duke Angelo in a state of nervous frenzy. He has learned about the coup in Faggio, the possibility that Niccolo may be alive somewhere after all. Word has reached him that Gennaro is levying a force to invade Squamuglia, also a rumor that the Pope is about to intervene because of the cardinal's murder. Surrounded by treachery on all sides, the Duke has Ercole, whose true role he still does not suspect, finally summon the Thurn and Taxis courier, figuring he can no longer trust his own men. Ercole brings in Niccol6 to await the Duke's pleasure. Angelo takes out a quill, parchment and ink, explaining to the audience but not to the good guys, who are still ignorant of recent developments, that to forestall an invasion from Faggio, he must assure Gennaro with all haste of his good intentions. As he scribbles he lets drop a few disordered and cryptic remarks about the ink he's using, implying it's a very special fluid indeed. Like:
This pitchy brew in France is "encre" hight; In this might dire Squamuglia ape the Gaul, For "anchor" it has ris'n, from deeps untold.
And:
The swan has yielded but one hollow quill, The hapless mutton, but his tegument; Yet what, transmuted, swart and silken Hows
Between, was neither plucked nor harshly flayed, But gathered up, from wildly different beasts. All of which causes him high amusement. The message to Gennaro completed and sealed, Niccol6 tucks it in his doublet and takes off for Faggio, still unaware, as is Ercole, of the coup and his own impending restoration as rightful Duke of Faggio. Scene switches to Gennaro, at the head of a small army, on route to invade Squamuglia. There is a lot of talk to the effect that if Angelo wants peace he'd better send a messenger to let them know before they reach the frontier, otherwise with great reluctance they will hand his ass to him. Back to Squamuglia, where Vittorio, the Duke's courier, reports how Niccol6 has been talking treason. Somebody else runs in with news that the body of Domenico, Niccol6's faithless friend, has been found mutilated; but tucked in his shoe was a message, somehow scrawled in blood, revealing Niccolo's true identity. Angelo flies into an apoplectic rage, and orders
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