intellectual life, the musicians, the poets, the painters who find at the Hotel Trianon a social centre . . .â The tourist brochure had been nearly true once.
I felt under the bar and found an electric torch. I went through the lounge to my office, the desk covered with old bills and receipts. I had not expected a client, but even Joseph was not there. What a homecoming, I thought, what a homecoming. Below the office was the bathing-pool. About this hour the cocktail guests should have been arriving from other hotels in the town. Few in the good days drank anywhere else but the Trianon, except for those who were booked on round tours and chalked everything up. The Americans always drank dry Martinis. By midnight some of them would be swimming in the pool naked. Once I had looked out of my window at two in the morning. There was a great yellow moon and a girl was making love in the pool. She had her breasts pressed against the side and I couldnât see the man behind her. She didnât notice me watching her; she didnât notice anything. That night I thought before I slept, âI have arrived.â
I heard steps in the garden coming up from the direction of the swimming-pool, the broken steps of a man limping. Joseph had always limped since his encounter with the Tontons Macoute. I was about to go out on to the verandah to meet him when I looked again at my desk. There was something missing. All the bills were there which had accumulated in my absence, but where was the small brass paper-weight shaped like a coffin, marked with the letters R . I . P ., that I bought for myself one Christmas in Miami? It had no value, it had cost me two dollars seventy-five cents, but it was mine and it amused me and it was no longer there. Why should things change in our absence? Even Martha had changed her scent. The more unstable life is the less one likes the small details to alter.
I went out on to the verandah to meet Joseph. I could see his light as it corkscrewed along the curving path from the pool.
âIs it you, Monsieur Brown?â he called up nervously.
âOf course itâs me. Why werenât you here when I arrived? Why have you left my suitcases . . . ?â
He stood below me looking up with a sick expression on his black face.
âMadame Pineda gave me a lift. I want you to drive back with her into the town. You can return on the bus. Is the gardener here?â
âHe go away.â
âThe cook?â
âHe go away.â
âMy paper-weight? Whatâs happened to my paper-weight?â
He looked at me as though he didnât understand.
âHave there been no guests at all since I left?â
âNo, monsieur. Only . . .â
âOnly what?â
âFour nights ago Doctor Philipot he come here. He say tell nobody.â
âWhat did he want?â
âI tell him he no stay here. I tell him the Tontons Macoute look for him here.â
âWhat did he do?â
âHe stay all the same. Then the cook go away and the gardener go away. They say they come back when he go. He very sick man. Thatâs why he stay. I say go to the mountain, but he say no walk, no walk. His feet they swell bad. I tell him he go before you come back.â
âItâs the hell of a mess for me to come back to,â I said. âIâll talk to him. Which room is he in?â
âWhen I hear the car, I call to him â Tontons, get out quick. He very tired. He not want to go. He say âI be old man.â I tell him Monsieur Brown he ruined if they find you here along. All same for you, I say, if Tontons find you in the road, but Monsieur Brown he ruined if they catch you here. I tell him I go and talk to them. He go out then quick quick. But it was only that stupid taxi-man with the luggage . . . So I run tell him.â
âWhat are we going to do with him, Joseph?â Doctor Philipot was not a bad man as
Jackie Williams
J.A. Crowley
Mercedes Lackey, Rosemary Edghill
Renee Miller
Bernard Cornwell
J. A. Bailey
Kary English
Susan Howatch
Stuart Woods
Stephanie Julian