whether Dolly Seymour’s ex-husband wanted him there or not.
Bud let out a long sigh. “Well, I sincerely hope you won’t have reason to regret this.”
“Why would I?”
Bud Havenhurst didn’t answer. And Mitch wondered why the man had said it. It was, he reflected, a very odd thing to say.
Dolly had assured Mitch the little house would be scrubbed and painted, and it was. A local handyman in overalls named Tuck Weems came out to do the work. Weems was a big, strapping man in his fifties with unruly blond hair and every appearance of a substance-abuse problem. He definitely had the shakes. Could not seem to shave without cutting himself. Bits of toilet paper were stuck to different parts of his chin and neck every morning. And his electric-blue eyes were lit by drugs or drink. He was not a friendly native. His face was a tight mask of anger. Twice Mitch tried to strike up a conversation with him. Twice the man walked away without responding. But Weems was a steady and capable worker. He repaired the windows, replaced the rotted shingles and sills, cut back the shrubbery that was threatening to engulf the little house. Within two weeks, it qualified as habitable.
Wheels were a necessity. Happily, Dolly had an old pickup she was willing to part with for a song provided Mitch was willing to make the occasional dump run for her. Not a problem, he assured her. As a result Mitch became the proud owner of a rust-free, plum-colored 1956 Studebaker half-ton with a V-8 engine and three-speed overdrive transmission. It was an uncommonly bulbous-looking vehicle compared to the aerodynamic styling of everything else on the road. And it did have 186,000 miles on it. But it ran like a champ. And he didn’t intend to drive it back and forth to New York. Only as far as Old Saybrook, the neighboring town across the river, which had an Amtrak station.
He did drive it into the city once to gather up some things and put in an appearance at the paper. The Sunday Travel editor had been very happy with the Weekend Getaway piece Mitch had filed on Dorset. She’d especially liked Mitch’s one-on-one interview with the cow. And Lacy took it as a very positive sign that he had rented himself a place there. Although she was a bit surprised.
“I have trouble picturing you there,” she said, when he stopped by her elegantly appointed office to see her.
“Why is that?”
“Have you ever actually lived in a village before, Mitch?”
“Not unless you count Greenwich Village. Why?”
“Because I have. And it’s way different, believe me.”
“I’ll say it is,” Mitch exclaimed. “People smile at each other. They say please and thank you. They don’t park in the handicapped spaces unless they are genuinely handicapped. It’s utterly remarkable.”
“And utterly fake,” she argued. “They carry sharp knives, Mitch. Everyone is into everyone else’s business. It’s what they do for amusement. There’s no privacy. And no secrets. Village life is one big soap opera.”
“I have nothing against soap operas.”
“You will when you discover you’ve become a character in one.”
Since the advance screenings for the first big wave of summer film releases had already crested, Mitch informed Lacy that he intended to spend most of his summer out there. He would come in for any screenings as they arose but it figured to be pretty quiet until the studios started gearing up again for fall. She agreed that this would be fine, and wished him luck. There was no more talk from her about where Mitch’s life was heading.
“I just want to be left alone to work on my book, Lacy,” he explained.
“Good luck. But that won’t happen, Mitch.”
“Yes, it will,” he insisted. “Why wouldn’t it?”
He brought out the brown corduroy love seat that was crammed into the corner of his study, collecting newspapers and dust. He brought out his Stratocaster and stack, figuring he now had the perfect setup for playing as loudly as he
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