through stunned lost having drunk our way up vineyards and then Hot Springs boiling out the drunkenness What were the names I slept through my head on your thigh hundreds of miles of blackness entering the car All this darkness and stars but now under the Napa Valley night a star arch of dashboard the ripe grape moon we are together and I love this muscle I love this muscle that tenses and joins the accelerator to my cheek *
(The linguistic war between men and women) And sometimes I think women in novels are too controlled by the adverb. As they depart a perfume of description ‘She rose from the table and left her shoe behind, casually ’ ‘Let’s keep our minds clear, she said drunkenly,’ the print hardly dry on words like that My problem tonight is this landscape. Like the Sanskrit lover who sees breasts in the high clouds, testicles on the riverbed (‘The soldiers left their balls behind, crossing into Bangalore she said, mournfully’) Every leaf bends I can put my hand into various hollows, the dogs lick their way up the ditch swallow the scent of whatever they eat Always wanted to own a movie theatre called ‘The Moonlight’ What’s playing at The Moonlight she asked leafily Men never trail away. They sweat adjective. ‘She fell into his unexpected arms.’ He mixes a ‘devious’ drink. He spills his maddened seed onto the lettuce— *
(Real life) In real life men talk about art women judge men In the Queen Street tavern 3 p.m. the only one busy is the waitress who reads a book a day Hour of the afternoon soaps Accusations which hide the trap door of tomorrow’s guilt. Men bursting into bedrooms out of restaurants. Everyone talks on phones to the lover’s brother or the husband’s mistress My second beer my fifth cigarette the only thing more confusing venomous than real life is this hour of the soaps where nobody smokes and nobody talks about art I’ve woken in thick households all my life but can nightmare myself into this future— last spring I sat here Sunday Morning as bachelor drunks came in, eyes in prayer to the Billy Graham Show The pastel bar grey colours of the tv this is where people come after the second failure of redemption Ramon Fernandez, tell me what port you bought that tattoo * Midnight dinner at the Vesta Lunch Here there is nothing I have taken from you so I begin with memory as old songs do in this café against the night in this villa refrain where we collect the fragment no longer near us to make ourselves whole your bright eyes in a greek bar, the way you wear your hat * I have always been afflicted by angular small breasted women from the mid-west, knew this was true the minute I met you * Repetition of midnight Every creature doth sleep But us and the fanatics I want the roulette of the lightning bolt to decide all On this suburban street the skate-boarder rolls surrounded by the seeming hiss of electricity unlit I see him through the trees up Ptarmigan a thick sweater for the late September night I am unable to make anything of this who are these words for Even the dog curls