The Changeling

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Authors: Kenzaburō Ōe
Tags: Fiction
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the German translations of his books.
    From one side of the lectern, a Japanese woman approached and stood very close to him. She was enveloped in a cloud of heavy perfume, and her voice had a distinct Kansai accent (that is, typical of the Kyoto-Osaka-Kobe area). “I’d like to talk to you about Goro and the new generation of German filmmakers,” she announced abruptly, and then continued in a pretentious manner,sprinkled with knowing bits of German, evidently in the hopes of forcing Kogito to listen closely to her every word.
    “Please don’t worry,” she said, “I have no interest whatsoever in discussing any dreary tabloid scandals. That’s just the revenge of the Mädchen für alles , anyway. In case you aren’t familiar with that expression, it originally meant ‘maid of all work,’ but in the latest editions of German-Japanese dictionaries, it’s now translated, with impeccable political correctness, as ‘factotum’ or ‘a person who will do anything for you.’ In English, they might say ‘girl Friday,’ though in my mind it implies something a bit more, shall we say, personal than that.” Kogito had no idea what the woman was referring to, although he would learn the true meaning of the German expression soon enough, and he was shocked by the barely concealed scorn he heard in her voice. (He hadn’t had a chance to look at her because he was still busy signing books.)
    Meanwhile, the next person in line told Kogito, in English, that the book was a Christmas gift for his mother and asked him to write a specific greeting. But as Kogito started to inscribe the title page his mind went completely blank, and when he asked the student to repeat the request he found himself, inexplicably, speaking French. After those little glitches, he finally got the book signed and handed it back to the student. Then, for the first time, he turned and looked directly at the woman who was standing beside him. He was surprised to see that she was considerably older than she sounded; she looked tired, and she seemed to be surrounded by an aura of impenetrable gloom.
    “About that Mädchen ... that girl Friday you mentioned. Was she Goro’s interpreter while he was here?” Kogito asked.
    “Heavens, no!” the woman exclaimed. “She could barely speak German herself. And she wasn’t what you would call a legitimate assistant, either, if you get my drift. That’s why I used the term ‘girl Friday.’”
    The woman appeared to be from the same generation as Kogito, which is to say well into late middle age. Her small face was completely overwhelmed by the unnaturally dark, voluminous mass of deep-black hair that was piled on top of it—hair that seemed to be at odds with her years—and when she closed her mouth there was a conspicuous puffiness around her lips, almost as if she were holding something in her mouth.
    Kogito couldn’t think of anything to say to keep the conversational ball rolling, but the woman didn’t seem to notice. Handing him her business card, she said, “It’s great that you have so many fans in Germany, but you seem to be awfully busy today, so I’ll say good-bye for now. As I mentioned earlier, I’d like to have a long talk with you about Germany’s new generation of filmmakers, so please keep that in mind.”
    As the woman walked away, Kogito noticed that a television cameraman who had been filming the panel discussion had turned his lens on her retreating back. Petite though she was, she walked with long, bold strides, like a man.
    “Are you planning to film this kind of conversation, too?” Kogito asked.
    “No,” replied a Japanese producer, sticking his head out from behind the cameraman. “It’s just B-roll footage, to set the scene. By the way, I didn’t mean to eavesdrop, but I was surprised to hear that an expression like ‘ Mädchen für alles ’—which is what you might call seriously un-PC—is still floating around. Germany’s very strong on feminist issues, you

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