generally spent their Saturday nights in Yarvil’s cinemas and nightclubs. The city had a cathedral, several parks and two enormous shopping centers, and these things were pleasant enough to visit if you had sated yourself on Pagford’s superior charms. Even so, to true Pagfordians, Yarvil was little more than a necessary evil. Their attitude was symbolized by the high hill, topped by Pargetter Abbey, which blocked Yarvil from Pagford’s sight, and allowed the townspeople the happy illusion that the city was many miles further away than it truly was.
II
It so happened that Pargetter Hill also obscured from the town’s view another place, but one that Pagford had always considered particularly its own. This was Sweetlove House, an exquisite, honey-colored Queen Anne manor, set in many acres of park and farmland. It lay within Pagford Parish, halfway between the town and Yarvil.
For nearly two hundred years the house had passed smoothly from generation to generation of aristocratic Sweetloves, until finally, in the early 1900s, the family had died out. All that remained these days of the Sweetloves’ long association with Pagford, was the grandest tomb in the churchyard of St. Michael and All Saints, and a smattering of crests and initials over local records and buildings, like the footprints and coprolites of extinct creatures.
After the death of the last of the Sweetloves, the manor house had changed hands with alarming rapidity. There were constant fears in Pagford that some developer would buy and mutilate the beloved landmark. Then, in the 1950s, a man called Aubrey Fawley purchased the place. Fawley was soon known to be possessed of substantial private wealth, which he supplemented in mysterious ways in the City. He had four children, and a desire to settle permanently. Pagford’s approval was raised to still giddier heights by the swiftly circulated intelligence that Fawley was descended, through a collateral line, from the Sweetloves. He was clearly half a local already, a man whose natural allegiance would be to Pagford and not to Yarvil. Old Pagford believed that the advent of Aubrey Fawley meant the return of a charmed era. He would be a fairy godfather to the town, like his ancestors before him, showering grace and glamour over their cobbled streets.
Howard Mollison could still remember his mother bursting into their tiny kitchen in Hope Street with the news that Aubrey had been invited to judge the local flower show. Her runner beans had taken the vegetable prize three years in a row, and she yearned to accept the silver-plated rose bowl from a man who was already, to her, a figure of old-world romance.
III
But then, so local legend told, came the sudden darkness that attends the appearance of the wicked fairy.
Even as Pagford was rejoicing that Sweetlove House had fallen into such safe hands, Yarvil was busily constructing a swath of council houses to its south. The new streets, Pagford learned with unease, were consuming some of the land that lay between the city and the town.
Everybody knew that there had been an increasing demand for cheap housing since the war, but the little town, momentarily distracted by Aubrey Fawley’s arrival, began to buzz with mistrust of Yarvil’s intentions. The natural barriers of river and hill that had once been guarantors of Pagford’s sovereignty seemed diminished by the speed with which the red-brick houses multiplied. Yarvil filled every inch of the land at its disposal, and stopped at the northern border of Pagford Parish.
The town sighed with a relief that was soon revealed to be premature. The Cantermill Estate was immediately judged insufficient to meet the population’s needs, and the city cast about for more land to colonize.
It was then that Aubrey Fawley (still more myth than man to the people of Pagford) made the decision that triggered a festering sixty-year grudge.
Having no use for the few scrubby fields that lay beyond the new development, he
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