The Castle in the Forest

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Authors: Norman Mailer
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nest of hair she had so long concealed. And there it was, much like feathers—downy—much as he had expected. Half her body was on fire, but half was locked in ice, the bottom half. If not for the Hound, he might have stalled at the approach to such a frozen entry, but then her mouth was part of the fire and she kissed him as if her heart was contained in her lips, so rich, so fresh, so wanton a mouth that he exploded even as he entered her, ripped her hymen altogether, and was in, deep, and in, and it was over even as she began to sob with woe and fright and worse—in shame for the throb of exaltation that had shivered through her at a bound and was gone. She knew that this had been the opposite of sacrifice. Nor could she stop kissing him. She went on and on like a child raining kisses on the face of the great adult beloved, and then there were other kisses, softer, deeper. He was the first man she had ever kissed as a strange man rather than as a relative of the family, yes, the wrong kind of exaltation. She could not stop weeping. Nor could she stop smiling.
     
     
    2

    S
    o Klara was now his lover, his cleaning woman, and the nursemaid to Alois Junior and to Angela. On many a night she was also his cook—unless (having hired one of the hotel maids to sit with the children for an hour) they went downstairs to the dining room of the Pommer Inn, there in full display as uncle and niece, the middle-aged Customs officer in uniform and his demure young mistress. No one in Braunau was fooled, no matter how often she might call him Uncle. It was enough to stir a boil of outrage in the onlookers that he could sit there as if he were Franz Josef himself, ready to claim, “In company with the Emperor, I, too, have a lovely mistress.” On any night that he took her downstairs to dine, it never failed—he would make love as soon as they came back, his voice so hoarse he could hardly speak. “I am your bad uncle,” he would say in the thick of the embrace, “your very bad uncle.”
    “Yes, yes, my bad uncle,” and she would cling to him, hardly able to distinguish pain from what was seeking to become pleasure—a most unholy pleasure. “Oh!” she would cry out. “We will be punished.”
    Who the hell cares?” he would growl, and that brought her closer to the unholy pleasure.
    Invariably, she would weep when it was over. It was all she could command not to scream at him. Inside her was all the congestion of all that had not quite come to pass. She felt so guilty.
    Now it was Klara’s turn not to go to Mass. She was working for the Devil (so she knew!). She felt as if her finest impulses were now bringing her nearer to the Evil One, yes, even the loving care she
    gave to Alois Junior, and to Angela. The more she adored them, the worse it must be. Her tainted presence could pollute their innocence.
    Then, there was Fanni. Klara had not told her but knew she must. Because if Fanni did not know now, she would certainly find out so soon as her life ended, for then she could watch from the other side. Fanni would be left with the intolerable thought that Klara never cared enough to tell her.
    Yet in the last week of Fanni’s illness, when Klara did confess, the answer was brief: “This is my punishment for sending you away four years ago. That is fair.”
    “I will take care of the boy and girl as if they were mine.”
    “You will take better care than I would,” said Fanni, and turned her face away. “It is all right,” she said, “but you must not come to see me anymore.”
    Then Klara knew once again that she lived in the grip of the Evil One. Because if at first she was hurt, she soon felt furious that Fanni was still ready to send her away, and the anger was present on the day that Fanni was interred, a very long day, since Alois did not bury Fanni in Braunau. He had chosen Ranshofen (On-the-Brink-of-Hope), where they had been married. This was not from sentiment but annoyance. The word in Braunau was that he

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