The Butcherbird

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Authors: Geoffrey Cousins
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board resumed checking their diaries and phone messages in a series of electronic beeps, despite the chairman’s clear ruling that no such devices were to be switched on during a meeting. Only Sir Laurence noticed the totally inappropriate exchange of ‘G’day Tom’ and ‘Hi Jack, how are you?’ between the technician and the CEO. This type of familiarity between management and workers could only lead to trouble.
    Crackles and static began to emanate from the doughnut-shaped speakerphone in the middle of the table and finally they heard the unmistakable tones of Mac.
    ‘We have him now, Sir Laurence.’
    ‘Thank you. You may leave us. Good morning, Mac, we have you now, although I must say the line isn’t particularly good, there’s still a great deal of static. Is there stormy weather in the Kimberley?’
    Mac laughed from the gut. ‘Stormy weather? It’s the dry season. It doesn’t rain for months. I’m in the shower, Laurence, that’s the noise you can hear, and a bloody good shower it is, too. Biggest head on it you’ve ever seen. Had it brought over from England. How are you all?’
    The distasteful nature of this exchange caused both corners of the Treadmore mouth to curl—usually a dangerous sign. This constant failure to attend board meetings in person, no doubt a complete absence of any attempt to read the papers and now to attend in a state of undress, even by phone, was beyond any pale Sir Laurence could conjure. How could two such distinctly opposing personalities survive together? The answer, as both were acutely aware, lay in the bonding power of money. It was the Araldyte of their relationship, whose unique properties could cause any two surfaces to adhere, no matter how uneven.
    Mac, wrapped in an outsized white bath towel, sprawled in a massive colonial wicker armchair in the shade of the double-width verandah. Everything at Bellaranga was enormous. You could fly over its million acres in a helicopter for a couple of hours and still be on the property. The views were infinite—from the beginning to the end of the world in time and space was how Mac phrased it when he was in a lyrical mood. Some of the oldest artworks in the world were on this place, painted on the walls of rock caves by peoples unknown; some said the Australian Aborigines, some said not. To Mac it was irrelevant. They were graceful, elegant, tasselled figures with extraordinary headdresses, painted with exceptional skill, as alive on the rock face now as they would have been over twenty thousand years ago. One of Mac’s prized showpieces was a small Matisse oil with dancing figures. He reckoned Matisse must have been to Bellaranga.
    How he wished his old dad could see him now, the lord of this domain and the other world on the end of the telephone. He’d never believe it. One of the European migrants who’d brought their skills to help build the Snowy Mountains Scheme, his father became more proudly Australian than any native born. He named his son after Governor Lachlan Macquarie and added James, as English a name as he could imagine. Mac still saw him sometimes, walking away from him down a Sydney street or cupping his hands to light a cigarette in a pub doorway. He remembered the line into the small church in Auburn and the crowd stretching away under the trees at the graveyard. He’d never seen half these people before, yet they all knew Ja.
    Suddenly he was brought back to the present by some discordant note from the telephone. His mind worked that way. He could half listen to the conversation and hear a clear bell ring in the middle of the hubbub.
    ‘I’m sorry, Chairman. I missed some of that. The line’s not too good. Would you mind summarising for me?’
    Sir Laurence was only too happy to oblige. ‘The chief executive, in the course of presenting his monthly report to the board, was highlighting the wellknown fact that we run a negative profit on our insurance operations with an insurance margin of one

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