and a pale brown, inquisitive face, framed by a mass of dark curling hair peers out, first at me, then at the approaching police officers.
“What’s going on?” the girl asks drowsily.
“Nothing,” I say, noting that the handmade tag on her door—in construction paper cut into the same cloud shapes as the ones on Jasmine’s ceiling—has the names Chantelle, Nishi, Kaileigh, and Ameera written on it in sparkly silver cursive. “Go back to bed.”
The girl doesn’t listen. Even washed free of makeup, her eyes are huge and dark and beautiful.
“Why are there police here?” she asks in a sleep-roughened voice. She has a British accent. “Has something happened?”
“Nothing for you to worry about, miss.” The first officer is a gangly young man, the leather of his gun belt creaking noisily as he strides toward us. “We got it under control. Go on back inside your room.”
It’s too late. By now the girl is standing in the middle of the hallway in her cream-colored slip and flowered silk dressing gown, her brown feet bare, her hair a riotous ebony halo around her slim shoulders. She wears no jewelry except for a single gold chain around her neck, from which dangles a pair of interlocked silver rings, which jingle softly when she walks.
I know that all the other residents of room 1412—
Chantelle, Nishi, and Kaileigh—are out to lunch at Nobu with Prince Rashid. This girl, then, must be Ameera, the one Kaileigh’s mother described as “a slut.”
I’m not sure what a slut is supposed to look like, but to me, Ameera looks more like an angel. I remember what Prince Rashid said, about Ameera being “amiable.” She seems like the kind of girl a prince—or any boy—would find amiable indeed.
Her gaze travels past me, into Jasmine’s room.
“That’s where my RA, Jasmine, lives,” she says, fully awake now. “Is she there? Jasmine?” Ameera darts toward the door I’ve foolishly left opened behind me. “Jasmine?”
I manage to catch her around the waist—she’s slim as a child, and doesn’t weigh much more than one. One of the female officers darts forward to help me, but Ameera is much stronger than she looks. She manages to drag both myself and the female officer a few steps into Jasmine’s room . . . enough so that she sees her RA’s dead body on the bed.
That’s when Ameera begins to scream.
It’s a long, long time before she stops.
7
Fischer Hall Casino Night
Do you like to GAMBLE?
$ Blackjack $ Roulette $ Texax Hold’Em $
Ready for a night of revelry
on a romantic riverboat ride
around manhattan Island?
Then Come to Fischer Hall’s Freshman
Orientation Casino Night!
Win chips that can be cashed in
for New York College loot!
$$$$
Buses leave outside the building
at 5:00 P.M. SHARP
Be there or be
LEFT OUT FOREVER
O ne thing I did not expect when I took on the job as assistant resident hall director of Fischer Hall was that I was going to get to know so many investigators from the NYC Office of the Chief Medical Examiner on a first-name basis.
But thanks to there having been so many sudden deaths in the building over the past year, that’s exactly what’s happened.
“Hi, Heather,” says Eva, the MLI (medicolegal investigator) who shows up to examine Jasmine. “How’s it going? Oh, hey, thanks for the wedding invitation. Is it all right if I bring my mother as my plus one? She’s so damned excited about going to a real celebrity wedding, and she’s never been to a wedding at the Plaza before. Plus, you know the chances of my ever getting married at this point are slim to none—Mom says I scare guys off with all these tattoos—so you’d be doing me a real solid.”
“Oh,” I say, surprised to hear this . . . not that Eva wants to bring her mother to my wedding, but because these are not exactly the first words I expect to hear someone say as they’re walking into the room of a deceased twenty-year-old. “Sure.”
Also, I
Newt Gingrich, Pete Earley
Carole Cummings
Cara Shores, Thomas O'Malley
Paul Hellion
Robert Stone
Alycia Linwood
Ben Winston
Kay Jaybee
Margery Allingham
Tess Gerritsen