further, stage by stage . . .â
He started to draw radiating lines, write down new subheadings, expanding the problem across the sheet.
âAnd so, old son, the burning rope part has at least nine elements including thickness of rope, the kind of fuel you put on it, and so on . . . and then those can subdivide.â
And pretty soon his tea would be cold and the paper would be covered in writing and lines.
âBut that looks impossible,â Danny said.
âNo, itâs not. It just looks bad. But now all the problems are little ones. Solvable. Itâs just a matter of working through it one by one. You write them in the order you need to solve them and then you just go at it one at a time, Danny. Lock by lock, so to speak!â And then he crumpled up the paper into a tight ball, tucked it down into his left fist, blew on itâand it was gone, vanished into the bright light from the window. âBut we donât want anyone getting their hands on trade secrets, do we now?!â
Danny grabs his notebook. He takes a pen and writes down
HOW TO RESCUE AUNT LAURA
.
He looks at the problem and adds a new line.
How to find Aunt Laura. How to release her
.
Zamora looks over his shoulder. âWeâll need clues.â
âWeâve already got some,â Danny says. âThe man in the Bat had a Star Ferry ticket marked today. Yesterday, I mean. The ticket had our room number on the back. He must have been stalking us. And he had a shoe repair receipt for somewhere called the Wuchung Mansions.â
âHow do you know?â
âFrom the man with the ponytail. I checked his pockets.â
âMaybe you should have left that to the police?â Danny shakes his head. He writes down a new line:
Work out who to trust
.
âWhat do you mean?â asks Zamora.
âWhen we were answering Loâs questions, he wasnât typing what we said. Not all the time. I could see where his fingers were going. He typed our names all right. But when you said âGolden Batâ he typed something that had at least three pâs or oâs in it. Top right on the keyboard. Like âHappy Houseâ for example. Something like that.â
â
Madre mia
âyou sure?â
âSure. Same again when we told him what Laura was doing in Hong Kong. He didnât type âjournalist.â I think it was âshopping!ââ
âThatâs the last thing your aunt would do.â
Danny draws two lines from the last question and puts
Detective Lo
and
Detective Tan
in little boxes.
âBetter add Charlie Chow to that list. I donât trust him at all,â Zamora says, tapping the sheet. âNot at all. Made himself scarce. That girl too.â
Dannyâs hand hesitates for a beat. And then reluctantly he adds Sing Sing to the list.
âWe might have one more clue here,â he says, taking the blank Post-it note from his back pocket. He holds the paper up to the light, turns it side on.
âI donât see what thatâs going to tell you,â Zamora says. âI saw you swipe it, of course. Nicely done.â
Danny takes a pencil from his bag and the craft knife he uses to sharpen it. He snaps the pencil in two, and quickly pares away the wood from one side, exposing the graphite core. He spreads the note out, rubbing the cored pencil across it.
âClever lad!â Zamora says, leaning over.
Clearly revealedânegative white lettering through the graphiteâis the imprint of what Inspector Lo scrawled on the sheet above.
A short string of Chinese charactersâand two numbers below: a 4 and a 9. The goosebumps prickle up Dannyâs skin.
âAre you still sure this is just a wind-up, Major?â
âIâm not sure about anything, to tell you the truth.â
âAnd Detective Lo claimed to know nothing about it. We need to find Lauraâs notebook. Thatâs what she shouted as they pushed her into the car.
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