least bit offended. But it would really interest me to know why you canât take Danesborough and half a millionâI think I told you it was half a million.â
Chloe had an impulse of anger, an impulse of pity.
âI donât know you,â she said. âI shouldnât even know you. I should feelâyes, alwaysâthat I was taking things from a stranger. You canât be a daughter to someone whom you donât know.â In the end pity came uppermost with a rush. âIâmâIâm so dreadfully sorry, Mr. Dane,â she said.
There was a pause. Mitchell Dane shifted from his right foot to his left, held the right foot to the fire, and said nothing. If he felt any disappointment or hurt feeling, no sign of it appeared. He seemed to be lost in thought and unaware of Chloe. She had time to find the silence oppressive before he said,
âWhen you interrupted me just now I was about to tell you that there are various people who would be quite pleased to have the handling of my stock-in-trade. Some of these have been associated with me in business, and I dare say they think themselves quite competent to carry on without me. Now, Chloe, this is what I want to impress upon youââ
âWhy are you telling me this?â said Chloe.
âBecause I choose,â said Mitchell Dane. âI ask nothing of you except that you should listen and remember what I am saying. I do not wish any of these persons to have the handling of my stock-in-trade. I trust you to see that they do not have the opportunity of doing so.â
âWhat have I got to do with it? I canât, indeed I canât!â
âYouâre too fond of that word, I think. Iâm really only asking you to remember what Iâm saying. I wonât keep you much longer. But I wish to tell you somethingâsomething rather important. When I came here two years ago, I had a safe built into the wall behind that cabinet. Itâs a very special safe. I had the cabinet adapted in order to accommodate and conceal it. As the cabinet has stood in this place for at least a hundred years, it would not, I think, occur to anyone that there was a safe behind it.â
âBut the men, the men who did the workâthey would talk,â said Chloe.
âWroughton and I did the work,â said Mitchell Dane. âAnd the cabinet is clamped to the wall; and to the floorâfor greater security.â
âThen Mr. Wroughton knows?â
âYes.â
With the one short word Mitchell Dane left the hearth, went to the cabinet, and unlocked the doors. The cabinet was in two parts. It was the upper doors that he flung open, disclosing a number of small drawers ornamented with fishes, dragon-flies, and birds. The gold on the drawers was much fresher and brighter than the gold on the outside of the cabinet.
Chloe remembered these drawers very well. One of the uncles had collected butterflies when he was a boy, and his collection had occupied the whole top of the cabinet.
âAre the butterflies still there?â she asked.
He pulled out a drawer and showed her a slightly damaged peacock butterfly, rather jostled by a large stag-beetle.
âYes, theyâre hereâa little the worse for wear. Thatâs time, not me; I havenât disturbed them.â He looked at the draggled peacock wings with something that just fell short of being a smile.
âBroken butterflies, eh?â he said. âIâve seen a good many in my time. The collection struck me as being appropriateâquite appropriate. Now, Chloe, look! This is new since your time.â
He opened two drawers, one on the right and the other on the left, pulling them right out. Then with either hand he reached into the spaceâ left by each drawer, and Chloe heard a click. He stepped back, and said,
âItâs quite simpleâjust a little spring catch on either side. Put in your hand and feel for
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