The Best American Travel Writing 2015

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own union, the Brotherhood of Sleeping Car Porters, under slogans such as “Fight or Be Slaves,” and hired a socialist firebrand named A. Philip Randolph to run it.)
    By the time we step back on the train in Rensselaer, we can hear the dining-car crew setting up for the evening meal. Once, railroad-dining-car chefs produced some of the best food in America at almost any time of the day or night, serving up regional specialties on real china, with glass, silver, and fine linen napkins. Today the food is prepackaged and warmed up, airline-style meals served mostly on hardened paper or plastic dishes. All across America the menus are the same: a choice of reasonably edible steak, hamburger, chicken, salmon, or pasta, accompanied by a couple of dinner rolls and an anemic salad. But the real attraction is the strangers you’re seated with.
    My first night I sit with a merry retired couple, Mark and Linda, a former middle-school teacher and an accountant from Hyde Park, New York, who love train travel. They constitute, I will discover, one of the three leading categories of long-distance train passengers: train enthusiasts, derisively called foamers by Amtrak crew members. (The others are tourists from Britain and those who, for one reason or another—physical or psychological—cannot tolerate the many inconveniences of air travel.)
    Mark and Linda are foamers. They buy everything on their Amtrak credit cards in order to run up rewards points, as do many of the enthusiasts I encountered. Mark is also a model-train buff. They are New Deal liberals, and though outright politics is almost religiously avoided around the close quarters of an Amtrak dining table, most sleeping-car passengers will let on quietly, almost conspiratorially, that they believe in things like public investment, and not just for trains.
    Mark can reel off the names of the towns we are passing in upstate New York even in the darkness—“Amsterdam, Utica, Syracuse!”—from his time spent camping in the area with his two sons. But he and Linda are disheartened by the economic disaster that has hit much of upstate, and wonder what is to become of the region where they’ve spent so much of their lives.
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    We are following the route of the New York Central’s most famous train, the 20th Century Limited, which once rivaled Europe’s Orient Express in extravagance. At five o’clock every evening, porters used to roll a red carpet to the train across the platform of Grand Central Terminal’s Track 34. The women passengers were given bouquets of flowers and bottles of perfume; the men, carnations for their buttonholes. The train had its own barbershop, post office, manicurists and masseuses, secretaries, typists, and stenographers. In 1938, its beautiful blue-gray-and-aluminum-edged cars and its “streamline” locomotives—finned, bullet-nosed, art deco masterpieces of fluted steel—took just 16 hours to reach Chicago, faster than any train running today.
    The 20th Century Limited became a cultural icon. It was a luxury train, but middle-class people rode it, too. In the heyday of American train travel after World War II, they also rode the Broadway Limited, the Super Chief from Chicago to Los Angeles, and the California Zephyr, which were nearly as celebrated and beloved.
    Some 20 years later, it was all over. Virtually every privately owned passenger rail line had died by 1970, done in by cheap gas and jet engines. The pathetic mishmash of decaying stock that remained was lumped together into a Nixonian experiment: a publicly funded, for-profit corporation dubbed Amtrak. It was widely believed that this arrangement was set up to fail, because saving trains seemed pointless. Americans wishing to travel long distances could drive their cars on the interstates or take a plane or intercity bus. Railroads seemed as archaic a mode of transportation as the wagon train.
    But unexpectedly, ridership

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