hung up, he ordered a beer, the nightâs last tug from the bartenderâs tap.
Sitting by the picture window, he looked down into the canyon, and up to the Hollywood sign. Everything about the moment felt familiar. Heâd worked this precinct for twenty years, minus three to Uncle Sam, so even the surprises were the same.
He thought about the girl, about her at the station. Her nervous legs, that worn dress of hers, the plea in her voice.
Someone should think of her for a minute, shouldnât they?
He looked at his watch. Two a.m. But she wonât see her little men tonight.
A busboy with a pencil mustache came over with a long stick. One by one, he turned off all the dingy lanterns that hung in the window. The painted clowns faced the canyon now. Closing time.
âDonât miss me too much,â he told the sour waitress as he left.
In the parking lot, looking down into the canyon, he noticed he could see the Canyon Arms, the smoke still settling on the bungalowâs shell, black as a mussel. Her bedroom window, glass blown out, curtains shuddering in the night breeze.
He was just about to get in his car when he saw them. The little men.
They were dancing across the hood of his car, the canyon beneath him.
Turning, he looked up at the bar, the lanterns in the window, spinning, sending their dancing clowns across the canyon, across the Canyon Arms, everywhere.
He took a breath.
âThat happens every night?â he asked the busboy as the young man hustled down the stairs into the parking lot.
Pausing, the busboy followed his gaze, then nodded. âEvery night,â he said. âLike a dream.â
STEVE ALMOND
Okay, Now Do You Surrender?
FROM
Cincinnati Review
Â
L OOMIS WAS HEADED out of work, or out of his
workplace,
which is what you were supposed to call it now, so that later when the TV vans showed up and disgorged their heartbroken androids they would be able to utter sentences such as âThe suspect was a familiar and friendly presence in his workplace . . .â Anyhoo, he was done for the dayâdone whoring himself to the hipster lords of Marketing, done creating
content
âand just a few steps from his car when two men appeared in his path. They wore vintage suits. The larger of the two had a furrowed scar that curled across one cheek. âYou gotta minute here?â he said.
âWhat?â said Loomis.
âWe were hoping for a few words.â The men were suddenly very close to him, smelling of matches and Brut.
Loomis had taken off early to beat traffic and was parked in the back of the building. Bobito the Security Guard was doubtless sprawled out in the smoker alcove, flirting with HR specialists who were going to fuck him only if their lives took a harrowing turn.
âA few words about what?â Loomis said.
The pair scanned the parking lot.
âAre you guys FBI or something?â
The one with the scar winced. âAfraid not.â
âItâs about the thank-you notes,â said the smaller one. He had the velvety rasp of Tony Bennett and a Roman nose that had been derailed a few times.
âWhat thank-you notes?â
âFor the kidâs party,â Scarface said.
âThe kid?â
â
Your
kid. The older one. Isabelle.â
âIsadora?â
âRight.â
âHow the hell do you know the name of my daughter?â
Scarface set a hand on Loomisâs shoulder. It was a tender gesture that suggested profound brutality. âSettle down,â he said. âThereâs no reason for this to turn in the wrong direction.â
Tony Bennett patted his coat in the way of an ex-smoker. âQuicker we clear this thing up, quicker weâre out of your hair.â
âWhat thing?â Loomis couldnât figure out how frightened he should be. He had to pee rather ardently.
âA beautiful day like this,â Scarface said. He gestured toward the sky as if the director of a
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