had gone were the most difficult of the week. It required a great collective energy to welcome so many outsiders, to put the best face on what was clearly a terrible situation. Collectors was falling apart; anyone could see that. Damp winters had eaten away at the bricks, and the walls were covered with mold. Every day new men were brought in. They were unchained and set free inside, forced to fight for a place to sleep in the already overcrowded prison. Family day, when women were allowed in, came on alternate Wednesdays and was especially brutal. By the end of the afternoon the inmates were worn out from smiling, from reassuring their wives and children and mothers that they were all right. (Fathers, as a rule, did not visit; most of Henry’s fellow inmates didn’t have fathers.) It wasn’t uncommon for there to be fights on those evenings. As long as no one was killed, it was fine, just something to relieve the tension.
Nine weeks in, Henry felt almost abandoned. On family days he was as alone as Rogelio. Espejo rented out their cell, and in the evening, as they lay on their bunks, they could still feel the warmth of those phantom bodies. Their perfumed scent. It was the only time the stench of the prison dissipated, though in some ways this other smell was worse. It reminded them of everything they were missing. Henry had been unable to persuade any of the women he used to see to visit him, and he didn’t blame them. None of these relationships had meant much to him, though at times his despair was so great that he could concentrate on any one of those women’s faces and convince himself that he’d been in love. As for Rogelio, he was far from home and hadn’t had a visitor, male or female, in months.
“Did you see her?” Henry asked one evening after the visitors had gone, and because Rogelio hadn’t, he began to describe the woman who’d made love with her husband on the lower bunk that day. She was married to an inmate named Jarol, a thief with a sharp sense of humor and arms like tense coils of rope. Henry talked about the woman’s curves, how delicious she’d looked in her dress—not tight, but tight enough. She had long black hair, doe eyes, and fingernails painted pink. She was perfect, he said, and she was: not because of her body or her face but because of the way she’d smiled at her husband, with the hungry look of a woman who wants something and is not ashamed of it. A man could live on a look like that.
Henry said, “She didn’t care who saw.”
He could hear Rogelio breathing. They were quiet for a moment.
“What would you have done to her?” Rogelio asked. His voice was very low, tentative.
This was how it began: with Henry speculating aloud about how he might spend a few minutes alone with a woman in this stifling, degrading space. He had no difficulty imagining the scene, and he could think of no good reason not to share it.
He would have torn off that dress, Henry said, and bent her against the wall, with her palms flat against that stupid map of San Jacinto. He would have pressed hard against her, teased her until she begged him to come in. From the bottom bunk, Rogelio laughed. He would have made her howl, Henry said, made her scream. Cupped her breasts in his hands and squeezed.
Is
this
why you came, woman? Tell me it is!
Already Henry was disappearing into his own words. He had his eyes closed. The walls had begun to vibrate.
“What else?” Rogelio said, his voice stronger now. “Go on. What else would you do?”
When they finished, each on his own bunk that first time, both men laughed. They hadn’t touched, or even made eye contact, but somehow what they’d done was more intimate than that. For a moment the pleasure of each had belonged to the other, and now something dark and joyless had been banished.
A week later Henry gathered up his courage and went to see Espejo, the boss, to propose doing a production of
The Idiot President
in Block 7. Espejo was a small
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