The Barbary Pirates

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Authors: William Dietrich
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down the gates of the Jewish ghetto (many Jews had enlisted in Napoleon’s army as a result) and ended a thousand years of Venetian independence with a flurry of decrees declaring republican ideals. The revolution had been brief, since the Treaty of Campo Formio had given the city to Austria a few months later, but the ghetto hadn’t been reestablished and the population was still debating the merits of the frightening freedoms the French had promised. They discussed as well contrary warnings that French reform ultimately meant tyranny. Was Napoleon promise or peril? Was he liberator, or lord?
    I was tempted to linger in the city by the decadent beauty of Venice: the mysterious twisting of its fetid canals, the iceberg majesty of its sinking, leaning houses, the rhythmic song of its lyrical gondoliers, its arched, weather-stained marble bridges, its baroque balconies pouring out cascades of flowers, and its dark-haired beauties weaving through the pillars at the periphery of Piazza San Marco like duchesses at a dance, their silks shimmering like butterfly wings. The queen city of the Adriatic rang with bell, song, lush opera, and echoing church choir, and smelled of perfume, spice, charcoal, urine, and water. Sunlight burned on the wavelets, and candles beckoned when it was dark.
    But I’d reformed, I reminded myself, and thus resisted the temptation to peek at pleasure, indulgence, and wickedness. Instead, I begged my companions for just enough time to hunt down a fine Venetian rapier in an armory shop, given the reputation of Italian cutlery. A Venetian sword was renowned for its slim and supple balance and elegant curved guard, and yet it carried a shave more weight and sturdiness than its French counterpart.
    “All the best duelists have one,” I justified.
    A naval cutlass would be more practical for alley fighting, but the rapier was elegant to the feminine eye, giving me a certain swagger. I felt dashing when I buckled one on and studied myself in the store’s cracked antique mirror, deciding I looked quite the courtier. So I spent twice the money I should have, and learned when I tried to walk that the weapon banged so annoyingly on my thigh that I eventually took it off and tied it across my back like Magnus Bloodhammer’s old ax, lest I tangle my own legs. This was the new nineteenth century, I reasoned, and I assumed that in the unlikely event I actually needed a weapon as antique as a rapier, I’d have warning enough to unstrap, unsheathe, give it a whet and a polish, and get into some kind of proper stance. Besides, I still carried my habitual tomahawk and longrifle, the latter marred by an annoying crevice in the stock where Cecil Somerset had broken his sword in my last adventure. The gun was so banged about that it retained little of its original elegance when forged in Jerusalem. Still, it shot well, and I looked like a little arsenal with everything strapped on. Women eyed me with wary interest behind their splayed fans, wondering just what kind of rogue I might be, and men edged around me in narrow lanes as if I were balmy as a butcher. Venetians are used to all sorts of visitors, but whispers began about Ethan Gage, the frontier American. That secretly pleased me.
    Given that we were adventuring into Ottoman territory, my companions tolerated my weapon shopping by doing their own. We enjoyed the excuse to acquire manly accoutrements.
    Cuvier, after a period of perplexity, settled on a pair of brass-and-silver dueling pistols in a rosewood box. They’d be deadly enough within ten paces.
    Bluff and hearty Smith went for something entirely more formidable, a wicked blunderbuss—Dutch for “thunder gun”—which fired a spray of balls from a barrel just fifteen inches long. The piece was short enough to be concealed under a coat or cloak. When Smith tried it out from the quay at the harbor, its stunning report sent up clouds of pigeons at San Marco two hundred yards away. “It kicks like a mule but

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