Read Online Ten White Geese by Gerbrand Bakker - Free Book Online Page B
Authors: Gerbrand Bakker
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along the path and remembered one commitment she had made – to buy bread from the baker in Waunfawr – then felt like everything was too much. She threw the cigarette onto the lawn and went into the house, wiping her bare feet off on the mat to get rid of the slate grit. She dressed, put a towel in the rucksack and went for a walk.
*
On her own path. Across the stream and through the oiled kissing gates and the small wood of ancient trees, where the path grew clearer each time she used it. Song from birds she couldn’t identify and had never known; a squirrel. She walked straight through the stone circle and onto the embankment through the marshy ground. The map was back home on the kitchen table. Past the boggy section, she came to a steel gate with long-haired, big-horned black cattle on the other side. A stile next to the gate. She’d have to cross the field. She didn’t hesitate, but climbed over, paying no attention to the cattle. If I pretend they don’t exist, they won’t notice me either, she thought. The path seemed to follow a wooded bank. If necessary, she could crawl into the thick undergrowth for safety. The countryside kept undulating and when she looked back after fifty steps, she didn’t recognise a thing. She was lucky: the frame of what had once been a kissing gate showed that she had taken the right direction. She left the black cattle behind her. In front of her the land sloped down; she could see the water.
The trees here were almost completely leafless, the grass yellow and grazed close to the ground, here and there a clump of thistles. On the bank was an upright stone, the kind they called standing stones on the map, but this one looked like the work of a farmer with heavy machinery. Walking around the large pond, she saw concrete banks and a small brick building; inside, she could hear water flowing but couldn’t see where it came out. That confirmed her idea that the pond was man-made, some kind of reservoir. An asphalt road came to a dead end behind the building. The water before her was so smooth and motionless it made herthink of a freshly polished silver tray. It was clear and viscous, but didn’t look cold. She undressed next to a big rock she could lay her clothes on, then broke the water by dipping the foot with the scar into it. It was cold, but not cold enough to put her off. The bottom felt rock hard under a thin layer of mud, like an enormous concrete slab that had been cleaned fairly recently. Walking as slowly as possible, she waded out to the middle where – with the water up to her waist – she stayed until the last ripple had died away and it was smooth again. She could see her toes and her knees, minuscule air bubbles on each pubic hair, a strange refraction of the light at her belly and forearms, as if the lower body belonged to someone else and didn’t fit properly. She looked around and, yes, this bank too had neither a beginning nor an end. Like a circle. Maybe she didn’t feel cold because, without the slightest breath of wind, even the weak sun was able to warm her upper body, and because she continued to think of the water as viscous, slow and heavy. She remained standing there and understood perfectly why her uncle had been so indecisive in that hotel pond: the place itself had robbed him of the ability to decide. It was only when she saw goosebumps appearing around her nipples that she waded back to the bank. She had seen time passing in the rotation of the long shadows of the trees, the arrival of a school of tiny fish at her toes and their departure, and the appearance of five sheep next to the standing stone. Was this it, what Emily Dickinson had done for almost her entire adult life? Had she tried to hold back time, making it bearable and less lonely too perhaps, by capturing it in hundreds of poems? And not just TIME butalso LOVE and LIFE and even NATURE. It doesn’t matter, she thought. It’s not important any more, and anyway, those sections
*
On her own path. Across the stream and through the oiled kissing gates and the small wood of ancient trees, where the path grew clearer each time she used it. Song from birds she couldn’t identify and had never known; a squirrel. She walked straight through the stone circle and onto the embankment through the marshy ground. The map was back home on the kitchen table. Past the boggy section, she came to a steel gate with long-haired, big-horned black cattle on the other side. A stile next to the gate. She’d have to cross the field. She didn’t hesitate, but climbed over, paying no attention to the cattle. If I pretend they don’t exist, they won’t notice me either, she thought. The path seemed to follow a wooded bank. If necessary, she could crawl into the thick undergrowth for safety. The countryside kept undulating and when she looked back after fifty steps, she didn’t recognise a thing. She was lucky: the frame of what had once been a kissing gate showed that she had taken the right direction. She left the black cattle behind her. In front of her the land sloped down; she could see the water.
The trees here were almost completely leafless, the grass yellow and grazed close to the ground, here and there a clump of thistles. On the bank was an upright stone, the kind they called standing stones on the map, but this one looked like the work of a farmer with heavy machinery. Walking around the large pond, she saw concrete banks and a small brick building; inside, she could hear water flowing but couldn’t see where it came out. That confirmed her idea that the pond was man-made, some kind of reservoir. An asphalt road came to a dead end behind the building. The water before her was so smooth and motionless it made herthink of a freshly polished silver tray. It was clear and viscous, but didn’t look cold. She undressed next to a big rock she could lay her clothes on, then broke the water by dipping the foot with the scar into it. It was cold, but not cold enough to put her off. The bottom felt rock hard under a thin layer of mud, like an enormous concrete slab that had been cleaned fairly recently. Walking as slowly as possible, she waded out to the middle where – with the water up to her waist – she stayed until the last ripple had died away and it was smooth again. She could see her toes and her knees, minuscule air bubbles on each pubic hair, a strange refraction of the light at her belly and forearms, as if the lower body belonged to someone else and didn’t fit properly. She looked around and, yes, this bank too had neither a beginning nor an end. Like a circle. Maybe she didn’t feel cold because, without the slightest breath of wind, even the weak sun was able to warm her upper body, and because she continued to think of the water as viscous, slow and heavy. She remained standing there and understood perfectly why her uncle had been so indecisive in that hotel pond: the place itself had robbed him of the ability to decide. It was only when she saw goosebumps appearing around her nipples that she waded back to the bank. She had seen time passing in the rotation of the long shadows of the trees, the arrival of a school of tiny fish at her toes and their departure, and the appearance of five sheep next to the standing stone. Was this it, what Emily Dickinson had done for almost her entire adult life? Had she tried to hold back time, making it bearable and less lonely too perhaps, by capturing it in hundreds of poems? And not just TIME butalso LOVE and LIFE and even NATURE. It doesn’t matter, she thought. It’s not important any more, and anyway, those sections
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