Read Online Teatro Grottesco by Thomas Ligotti - Free Book Online Page B
Authors: Thomas Ligotti
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glaring likeness of our literary pursuits, our shared insomnia, even the brand of cigarette which we both smoked, often lighting up at the same time. I wasn’t going to draw attention to these details, but why didn’t he ?’
I recalled that one night I had questioned the meaning of my companion’s statement that everything (in a ‘sideshow world,’ that is) was ‘ultimately peculiar and ultimately ridiculous.’ In his notes, or confession, he wrote: ‘No standard exists for the peculiarity and ridiculousness of things, not even one that is unspeakable or unknowable, words which are merely a front or a subterfuge. These qualities – the peculiar and the ridiculous – are immanent and absolute in all existence and would be in any conceivable existent order . . .’ This last sentence is transcribed thus from the author’s notes, truncated by ellipsis so that he could immediately jump to his next thought, which was written on the same line. ‘Why didn’t X challenge this assertion? Why did he allow so many things to remain on the surface that might easily have gone so much deeper?’ And on the line directly below that, he wrote: ‘Some peculiar and ridiculous fate in a sideshow town.’
After I finished reading the five completed stories and the notes-cum-journal or confession relating to a sixth tale, I left the coffee shop, eager not to allow even the faintest touch of the approaching dawn to catch me sitting in that corner booth, a circumstance that I always found intensely depressing for some reason. I followed my usual course of backstreets and alleys home, pausing every so often to admire the suggestive glow in the window of a little store or the network of sagging wires that was everywhere strung above me, the power surging within them seeming to pull me along and put each of my steps in place. This was indeed a sideshow town in every way, peculiar and ridiculous in its essence, though no more so than any other place. I think that my coffee-shop companion might at one time have had a profound appreciation for this state of affairs but had somehow lost it. In the end it seemed that he could not attain even an attitude of resignation, let alone the strength to let himself be carried along by the immanent and absolute realities, the great inescapable matters which he had been privileged to glimpse, so to speak, at the bottom of a dim and empty stairwell.
I was almost home when I heard a commotion in a pile of debris beneath the silvery-blue luminescence of a streetlight in an alley. Looking deep into the mound of empty paint cans, bicycle wheels stripped of their tires, rusty curtain rods, and the like, I saw the little creature. It was something that might have come from a jar in a museum exhibit or a carnival sideshow. What I most clearly remember is the impression made on me by its pale gray eyes, which I had already guessed were a family trait and which had looked at me numerous times from the other side of a corner booth in a coffee shop. These eyes now stared at me accusingly over a bundled stack of old newspapers, those heaping chronicles of the sideshow world. As I began to walk away, the shrunken creature tried to call out to me, but the only sound it managed to make was a coarse raspy noise that briefly echoed down the alley. ‘No,’ he had written in his notes to the unfinished sixth story. ‘I refuse to be a scribe for this show-business phenomenon any longer.’ I, on the other hand, had triumphed over my literary crisis and wanted nothing more than to get back to my desk, my brain practically vibrating with an unwonted energy in spite of passing another night without any sleep.
THE CLOWN PUPPET
I
t has always seemed to me that my existence consisted purely and exclusively of nothing but the most outrageous nonsense. As long as I can remember, every incident and every impulse of my existence has served only to perpetrate one episode after another of conspicuous nonsense, each
I recalled that one night I had questioned the meaning of my companion’s statement that everything (in a ‘sideshow world,’ that is) was ‘ultimately peculiar and ultimately ridiculous.’ In his notes, or confession, he wrote: ‘No standard exists for the peculiarity and ridiculousness of things, not even one that is unspeakable or unknowable, words which are merely a front or a subterfuge. These qualities – the peculiar and the ridiculous – are immanent and absolute in all existence and would be in any conceivable existent order . . .’ This last sentence is transcribed thus from the author’s notes, truncated by ellipsis so that he could immediately jump to his next thought, which was written on the same line. ‘Why didn’t X challenge this assertion? Why did he allow so many things to remain on the surface that might easily have gone so much deeper?’ And on the line directly below that, he wrote: ‘Some peculiar and ridiculous fate in a sideshow town.’
After I finished reading the five completed stories and the notes-cum-journal or confession relating to a sixth tale, I left the coffee shop, eager not to allow even the faintest touch of the approaching dawn to catch me sitting in that corner booth, a circumstance that I always found intensely depressing for some reason. I followed my usual course of backstreets and alleys home, pausing every so often to admire the suggestive glow in the window of a little store or the network of sagging wires that was everywhere strung above me, the power surging within them seeming to pull me along and put each of my steps in place. This was indeed a sideshow town in every way, peculiar and ridiculous in its essence, though no more so than any other place. I think that my coffee-shop companion might at one time have had a profound appreciation for this state of affairs but had somehow lost it. In the end it seemed that he could not attain even an attitude of resignation, let alone the strength to let himself be carried along by the immanent and absolute realities, the great inescapable matters which he had been privileged to glimpse, so to speak, at the bottom of a dim and empty stairwell.
I was almost home when I heard a commotion in a pile of debris beneath the silvery-blue luminescence of a streetlight in an alley. Looking deep into the mound of empty paint cans, bicycle wheels stripped of their tires, rusty curtain rods, and the like, I saw the little creature. It was something that might have come from a jar in a museum exhibit or a carnival sideshow. What I most clearly remember is the impression made on me by its pale gray eyes, which I had already guessed were a family trait and which had looked at me numerous times from the other side of a corner booth in a coffee shop. These eyes now stared at me accusingly over a bundled stack of old newspapers, those heaping chronicles of the sideshow world. As I began to walk away, the shrunken creature tried to call out to me, but the only sound it managed to make was a coarse raspy noise that briefly echoed down the alley. ‘No,’ he had written in his notes to the unfinished sixth story. ‘I refuse to be a scribe for this show-business phenomenon any longer.’ I, on the other hand, had triumphed over my literary crisis and wanted nothing more than to get back to my desk, my brain practically vibrating with an unwonted energy in spite of passing another night without any sleep.
THE CLOWN PUPPET
I
t has always seemed to me that my existence consisted purely and exclusively of nothing but the most outrageous nonsense. As long as I can remember, every incident and every impulse of my existence has served only to perpetrate one episode after another of conspicuous nonsense, each
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