description. It had been a long time since he had traveled freely along the thoroughfares of a great city. And there could be few cities in the world greater or more exciting than this one.
Kasimir spent the better part of an hour making his way gradually closer to the Red Temple. Frequently he lost sight of his goal in the maze of narrow streets that intervened, but he persevered, relying on a good sense of direction. At last he emerged from the maze on the western side of a great tree-lined square, whose eastern edge fronted directly on the temple he sought. Seen at this closer range the structure looked even larger than it had at a distance.
The Red Temple in Eylau was perhaps six stories high, somewhat broader than its height, and proportionately deep. The facade of the building, following the usual Red Temple style of architecture, was marked by columns, most of them frankly phallic in design, and some as much as two stories tall, going up the front of the building in tier above tier. Between the columns the statues Kasimir had seen last night as distant white specks, and had heard described by the innkeeper, were now visible in detail. They were finely and realistically carved, and larger than life. Distributed in archways and niches at all levels of the facade, they were almost exclusively of human bodies, generally nude. Most of the bodies portrayed were beautiful, with a few of calculated ugliness to provide comic variety.
The activities depicted among the statues were for the most part sexual, but involved as well the prodigious consumption of food and drink, and the amassing of wealth in games of chance. The ingestion of drugs also engaged the attention of certain of the figures, particularly in one frieze whose carven marble people appeared to float on marble clouds. Whoever had done that carving, thought Kasimir, was indeed an artist of more than ordinary talent.
Behind its new facade, the building must have been recently enlarged. New timber showed in several places, and the color of structural stonework on the upper floors was slightly different from that on the lower. Again the job was not yet finished. Kasimir reflected again that this was indeed a very logical place to begin a search for the stone-working Sword.
Chapter Five
Kasimir had just started across the square—a hectare and more of tessellated pavement studded here and there with fountains and obscure monuments—in the direction of the temple, when his attention was drawn by a noisy disturbance to his right, at the border of the paved expanse.
Some kind of official procession was making its way along that edge of the square. A modest crowd, quickly formed from the people in the busy square, lined the procession’s route. Now mounted guards in the Hetman’s colors of blue and gray were using cudgels and other blunt weapons to beat back a minority of the crowd who were trying to stage a chanting, arm-waving protest. The protesters, who were fewer in number than the troops and certainly not organized for resistance, promptly gave way. They had dispersed among the rest of the people on the plaza before Kasimir could get any idea of who they were or what they wanted.
His curiosity aroused, Kasimir moved toward the place where the demonstration had flared up. The procession itself, he saw as he drew near, was quite small. It consisted of an armed and mounted escort, twenty or so troopers, surrounding a single tall, lumbering vehicle. Load beasts pulled an open tumbrel, carrying a single figure bound upright—a man, presumably some object of the Hetman’s wrath, who was thus placed on display for all the city to behold.
The progress of the cart was deliberately slow, and Kasimir had time to walk closer without hurrying. When the cart finally passed him, he was quite near enough to get a good look at the prisoner. The bound
John Patrick Kennedy
Edward Lee
Andrew Sean Greer
Tawny Taylor
Rick Whitaker
Melody Carlson
Mary Buckham
R. E. Butler
Clyde Edgerton
Michele Boldrin;David K. Levine