Sweet Thursday

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Authors: John Steinbeck
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People made pilgrimages to the laboratory to bask in Doc’s designed and lovely purposelessness. For what can a man accomplish that has not been done a million times before? What can he say that he will not find in Lao-Tse or the Bhagavadgita or the Prophet Isaiah? It is better to sit in appreciative contemplation of a world in which beauty is eternally supported on a foundation of ugliness: cut out the support, and beauty will sink from sight. It was a good thing Doc had, and many people wished they had it too.
    But now the worm of discontent was gnawing at him. Maybe it was the beginning of Doc’s middle age that caused it—glands slackening their flow, skin losing its bloom, taste buds weakening, eyes not so penetrating, and hearing dulled a little. Or it might have been the new emptiness of Cannery Row—the silent machines, the rusting metal. Deep in himself Doc felt a failure. But he was a reasonably realistic man. He had his eyes examined, his teeth X-rayed. Dr. Horace Dormody went over him and discovered no secret focus of infection to cause the restlessness. And so Doc threw himself into his work, hoping, the way a man will, to smother the unease with weariness. He collected, preserved, injected, until his stock shelves were crowded again. New generations of cotton rats crawled on the wire netting of the cages, and four new rattlesnakes abandoned themselves to a life of captivity and ease.
    But the discontent was still there. The pains that came to Doc were like a stir of uneasiness or the flick of a skipped heartbeat. Whisky lost its sharp delight and the first long pull of beer from a frosty glass was not the joy it had been. He stopped listening in the middle of an extended story. He was not genuinely glad to see a friend. And sometimes, starting to turn over a big rock in the Great Tide Pool—a rock under which he knew there would be a community of frantic animals—he would drop the rock back in place and stand, hands on hips, looking off to sea, where the round clouds piled up white with pink and black edges. And he would be thinking, What am I thinking? What do I want? Where do I want to go? There would be wonder in him, and a little impatience, as though he stood outside and looked in on himself through a glass shell. And he would be conscious of a tone within himself, or several tones, as though he heard music distantly.
    Or it might be this way. In the late night Doc might be working at his old and battered microscope, delicately arranging plankton on a slide, moving them with a thread of glass. And there would be three voices singing in him, all singing together. The top voice of his thinking mind would sing, “What lovely little particles, neither plant nor animal but somehow both—the reservoir of all the life in the world, the base supply of food for everyone. If all of these should die, every other living thing might well die as a consequence.” The lower voice of his feeling mind would be singing, “What are you looking for, little man? Is it yourself you’re trying to identify? Are you looking at little things to avoid big things?” And the third voice, which came from his marrow, would sing, “Lonesome! Lonesome! What good is it? Who benefits? Thought is the evasion of feeling. You’re only walling up the leaking loneliness.”
    Sometimes he would leave his work and walk out to the lighthouse to watch the white flail of light strike at the horizons. Once there, of course, his mind would go back to the plankton, and he would think, It’s a protein food of course. If I could find a way to release this food directly to humans, why, nobody in the world would have to go hungry again. And the bottom voice would sing, “Lonesome, lonesome! You’re trying to buy your way in.”
    Doc thought he was alone in his discontent, but he was not. Everyone on the Row observed him and worried about him. Mack and the boys worried about him. And Mack

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