bother me a bit, not two months before all-of-us-but-mostly-Phil-get-naked-in-front-of-everyone day.â
âWhoâs calling it that?â Ramon had always halfcloaked his laugh in a modest cough; in Sarahâs throat, it sounded half-undressed.
âMe, mostly.â Phil shrugged oneshouldered, chopping steadily. âBut almost everyone agreed we needed you out of stub and integrated by the twenty-fourth.â
âAlmost everyone?â Ramon raised sculpted eyebrows.
âPretty much.â I fed Phil a generous hunk of cheddar on a melba toast. âThe Incrementalists going public has a lot of people really excited.â
âAnd I was seen as rather a wet blanket?â Ramon studied the scarlet lip print on his wine glass. âI never opposed this course of action,â he said. âBut I find enthusiasm in our ranks, as in law enforcement, troubling.â
âWe should only do what we donât like to?â I teased. âNot a recipe for job satisfaction.â
âSatisfaction is for finished work,â Ramon said. âIts anticipation is self-indulgent. Incrementalists should undertake only what we begin reluctantly.â
âIâm reluctant,â Phil said.
âYouâre nervous. Itâs not the same. In 1856 you were reluctant.â
Phil met Ramonâs eyes and threw peppers in the hot pan.
I could graze for what meddlework Phil had undertaken reluctantly more than a hundred years ago, but I would never share their memory of it. Celeste had seen to that. âWant to tell me the story?â I asked.
âLater,â Phil promised.
âItâs not important,â Ramon said.
I guessed it probably wasnât, and went into the kitchen to be closer to Phil. I threw away garlic skins and pepper stems, a raven in the wake of his culinary war. âYouâd think an Incrementalist would clean as he goes,â I marveled in mock wonder, âbut no.â
Ramon smiled. âSome Incrementalists do.â
âRight,â I said. âSay âall Incrementalists breathe,â and Oskar would suffocate trying not to.â
âA potentially useful stratagem.â Ramon sat back in his chair. He studied his hands, tilting his red-painted fingernails in the light. âWhat do you do with your vestigial claws?â he asked, waggling them at me.
âTheyâre the ultimate skeuomorphs, arenât they?â I raised my hands donât-shoot style, but rotated to look at my own nails. âI keep them short so Iâm not tempted to paint them.â
Ramon frowned.
âI tend to get experimental with color,â I explained. âBut I forget about them, the polish chips and peels, and then thereâs a client meeting. Inevitably. And me with nails like scabbed knees.â
âSkeuomorph?â
âItâs a design term.â I began reuniting spice bottles with their MIA lids. âThings like rivets on blue jeans or, more mindlessly, the freezer
above
the fridge. When a new iteration retains as decoration a once functional element. UI designers borrowed the term for the way weâll appropriate the look or sound of real-world things to suggest ways of interacting with electronic ones. Call data packets
files
, and users will know to put them in
folders
or
trash cans
just like they know, intuitively, that clicking the little house icon will take them back where they began.â
Ramon nodded and turned to Phil. âDid those who opposed spiking my stub into Sarah Waverlyâs body do so on those grounds?â
âWhat grounds?â Phil looked up from the sink where he was filling the pasta pot.
âOn the grounds that breasts on my body would be like wings on a chicken?â
âDelicious deep-fried with hot sauce?â
Ramon sighed. âSkeuomorphic,â he said.
âSomething like that.â Phil hoisted the filled pot onto the stove. âWe debated whether your mind
Celine Roberts
Gavin Deas
Guy Gavriel Kay
Donna Shelton
Joan Kelly
Shelley Pearsall
Susan Fanetti
William W. Johnstone
Tim Washburn
Leah Giarratano