Strong Motion

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Authors: Jonathan Franzen
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spoke from the dining room.
    “Yeah, Mom.”
    “What are you doing in there?”
    “I’m looking at the food.”
    Silence.
    “No way you’re liable,” Henry Rudman said. “Guy pocks his Jag in the street, somebody else comes along secures a loan with it, no way on earth Guy A’s responsible. It’s straight fraud, doesn’t involve you whatsoever. Can’t really blame the bank either. She’s living in the house and the title she shows ’em’s a first-rate forgery, so good it makes you wonder if she did it all by herself, I bet not. It’s a slick trick. She gets a home-equity loan for two hundred K, spends seventy-two on this pyramid that she’s just gotta have, can’t live without, and puts the difference in a different bank. It’ll cover payments for another ten, fifteen years plus she can throw the occasional pahty on it. Slick trick. She dies, the bank’s screwed. I mean assuming the trustees still have the real title. Your pop must’ve known what he was doing. Four thousand a month tax-free plus a free house with groundskeeping fully paid and she still can’t quite make ends meet, not even paying the Haitian slave wages. I can’t say I like this dead-hand business (you understand this is just a professional opinion), but if I’d been married to a woman like that I wouldn’t let her near the capital myself. Next thing you know, we’d be looking at Mount Fuji in the back yod.”
    “Louis.”
    “Yeah, Mom.”
    “Would it be possible for you not to be in the kitchen?”
    “Yeah, just a sec.”
    A dark, cold hall off the rear of the kitchen ended in three doors, one leading outside, the others into a bathroom and a bedroom. Louis sat down on the bed and slurped coffee and wolfed cake. All the hangers in the closet were bare. It was a while before he noticed that a pane was missing from the window. This was the only earthquake damage he saw all morning.
    Out in the back yard he could find no sign of his father, although the air was so still and thick it almost seemed a person walking through it would leave a trail. He crossed a patio and tried one of the French doors at the rear end of the living room. It swung right open.
    The living room was large enough to hold four separate clusters of furniture. Above the fireplace hung a large oil of Louis’s grandfather, a formal portrait painted in 1976, when John Kernaghan was seventy-five or so. His eyebrows had still been dark. With his near-perfect baldness and firm skin and elegant, compact skull he looked ageless. He was, Louis realized, the man responsible for his loss of hair. The painted image drew further life from the living daughter sitting across the hall in the dining room, reading documents with her father’s own glittering unapproachable dark eyes.
    “When they meet on the thirtieth,” Henry Rudman said quietly, “they have to distribute the entire corpus. The entire corpus, it’s unambiguous, they have no choice. The full transfer may take another four to six weeks, but we’re looking at June 15 absolute latest.”
    That the living room did not entirely belong to Melanie yet was clear from the New Age reading matter on the coffee tables, from the ugly phantasmagoric acrylics on the walls, and from the copies of Princess Itaray and Beginning Life at 60 and Star Children that filled the only bookcase. To say nothing of the smell emanating from the bar, a smell of spilled alcohol and bubblegum-scented disinfectant. The bar jutted out from the wall near the inner rear corner of the room and was made of the same blond wood as the two slender barstools in front of it. Shelves reaching nearly to the ceiling displayed several hundred different bottles—liqueurs and digestives with labels in foreign alphabets, a few with pictures of unlikely vegetables. Louis knelt by the gray marble floor behind the bar. There was plenty of room here for a small woman to lie dead, head smashed. It wasn’t hard to see the faint brownish fingers and ridgelines of

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