there to stop the dead witches under them clawing and scratching their way to the surface.
Then, along one wall of the cellar, there were much heavier, larger stones. There were three of those and each one had been carved by the mason in exactly the same way:
The Greek letter beta told anyone who could read the signs that boggarts were safely bound beneath them, and the Latin numeral T in the bottom right-hand corner said that they were of the first rank, deadly creatures capable of killing a man quicker than you could blink your eyes. Nothing new there, I thought, and as the Spook was good at his job there was nothing to fear from the boggarts who were trapped there.
'There are two live witches down here as well,' said the Spook, 'and here's the first one,' he continued, pointing to a dark, square pit with a boundary of small stones crossed by thirteen iron bars to stop her from climbing out. 'Look at the corner stone,' he said, pointing downwards.
I saw something then that I hadn't noticed before, even back in Chipenden. The Spook held his candle closer so that I could see it better. There was a sign,
much smaller
than that on the boggart stones, followed by the witch's name.
'The sign is the Greek letter sigma because we classify all witches under 'S' for sorceress. There are so many types that, being female and subtle, they're often difficult to categorize precisely,' said the Spook. 'Even more so than a boggart, a witch has a personality that can change over time. So you have to refer to their history - the full history of each, bound or unbound, is recorded in the library back at Chipenden.'
I knew that wasn't true of Meg. There was very little written about her in the Spook's library, but I didn't say anything. Suddenly I heard a faint stirring from the darkness of the pit and took a quick step backwards.
'Is Bessy a first-rank witch?' I asked the Spook nervously, because they were the most dangerous and could kill. 'It isn't marked on the stone ...'
'All
the witches and boggarts in this cellar are first rank,' the Spook told me, 'and I bound 'em all so if s not always worth putting the mason to extra trouble with the carving, but there's nothing to fear here, lad. Old Bessy's been in there a long time. We've disturbed her and she's just turning over in her sleep, that's all. Now come over here and look at this . . .'
It was another witch pit, exactly like the first one, but I suddenly shivered with cold. Something told me that whatever was in that pit was much more dangerous than Bessy, who was asleep and just trying to get herself comfortable on the cold, damp ground.
'You might as well take a closer look, lad,' said the Spook, 'so that you can see what we're dealing with. Hold up your candle and look down but be sure to keep your feet well back!'
I didn't want to do it but the Spook's voice was firm. It was a command. To look down into the pit was part of my training, so I had no choice.
I leaned my body forwards, keeping my toes well back from the bars, and held the candle up so that it cast a flickering yellow light down into the pit. At that very moment I heard a noise from below and something big scuttled across the floor and into the dark shadows in the near corner. It sounded wick with life, as if it could scamper up the wall of the pit faster than you could blink!
'Hold your candle right over the bars and take a proper look!' commanded the Spook.
I obeyed, holding it out at arm's length. At first all I could see were two large cruel eyes staring up at me, two points of fire reflecting the candle flame. As I looked more carefully, I saw a large gaunt face framed by a tangle of thick greasy hair, and a squat scaly body below it. There were four limbs and they were more like arms than legs, with large elongated hands that ended in long sharp
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