doll in her life.
âHowâs Ann doing?â Margaret asked.
Heather shrugged. She wasnât going to tell Margaret about Lambert Prep. âAll right, I guess. They donât get a Thanksgiving vacation at her school.â
âThey donât? Wow. What is it? Reform school?â
âHa ha,â Heather said. âNot quite. Actually, my mother was up there a couple of weeks ago, but I havenât had a report from her lately. Sheâs in Florida at the moment.â
She had the postcard in her purse. Blue pool, palm trees, tanned people on chaise longues. The card read:
Honey, Iâll miss you at Thanksgiving (so called) but when I get a chance at some sun Iâm not about to pass it up. Iâll be here 2 wks, then back to S.C., then who knows. See you Xmas I hope. Iâll call. XXX. Mom
Margaret said, âI kind of miss your mother being here on Thanksgiving. She always livened things up.â She chuckled. âIs she still casting spells on Uncle Teddy? I remember she had that voodoo doll she used to stick pins in. And she was consulting with some gypsy fortune-teller.â
âGod, Margaretâthat was a joke. One of my fatherâs weird routines.â This was a lie: Heather had seen the doll. Her mother had mailed it to her father, a yellow-haired figure made out of one of his old shirts, stuck through with straight pins. Her father had opened the package and stared at it speechless, then heâd begun to laugh uncontrollably. Shortly after that he got his ulcer. Heather said, âMy motherâs bad, but sheâs not that bad.â
âOh well,â Margaret said mildly, obviously sick of the subject. She squeezed out one more drag and crushed the remains in the tin box. She turned off the tape in the middle of a song. âI guess we should go down. What do you think of Sandra?â
âI still havenât met her. Whatâs she like?â
âSort of snobby. She hates America, especially Syracuse.â
âWho can blame her?â Heather asked.
Uncle Jamie had found the old sketches heâd been looking for: pencil drawings from ten, twelve years ago of Heather and Peter and Margaret and Ann. He had set them up on the chair rail around the dining room, and they all exclaimed over them as they lit into the turkey and potatoes and lentil loaf.
Werenât they cute.
Will you look at little Heatherâthose eyes.
I know Iâve said this before, but Margaretâs the spitting image of Peggy, youâve really captured it in that sketch, Jamie.
As always, when Peggyâs name was spoken, there was a melancholy moment of silence. Aunt Nell bowed her head, then looked up again at the sketches and said, âAnd Annâthe sweetest face.â
Heather looked at small, blonde Ann, smiling out at the world. The picture gave her an actual pain between her breasts, like indigestion. Looking at the sketches of herself wasnât much better.
Uncle Jamie wanted them for a show of his drawings at some gallery in London. âYouâre going to put me up in a gallery?â Margaret asked. âThese old pictures of me?â
âWhy not?â Sandra said. She smirked around at the table. âI should think youâd be flattered, Margaret.â Mawgrit, she pronounced it. Heathah, she had said when they were introduced. Iâve been dying to meet you, I hear youâre the absolute hope of the family.
âI hate being conspicuous,â Margaret said.
Sandra laughed. âWell, I hardly think any of your little friends are likely to stroll into a gallery in London and see your portrait there.â
âNo, but I can sympathize,â said Lucy. âItâs just knowing that youâre on public exhibition. And it reminds me of those primitive peoples who donât want their photographs taken, they think it takes away a part of themselves. I really try not to photograph people unless I have their
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