boss! When you hear it, you’re going to say, “brilliant!”.’ Akash nodded as if under a spell, but Murali continued with a warning in his tone, ‘But, you have to be able to see it, you have to be able to visualize … and if you can’t visualize it…’ He shook his head sorrowfully. ‘… you won’t be able to appreciate it.’
Akash nodded sagely and Sid cleared his throat, irritated that Murali seemed to be addressing only Akash. Murali continued, ‘Rimi came up with this script, so, I’d like her to present. Go ahead, Rimi.’
Sid noted that Akash had assumed his listening stance – he leaned back on his chair with a serious expression and covered his eyes with his hand. Rimi looked confused but Murali indicated that she should go ahead.
Rimi was a thin, pale young girl with long, flowing, black hair who had always given Sid the impression of being an anorexic ghost who smoked too much. She took a deep breath, closed her eyes and started narrating the script in a low monotone that she presumably thought was very captivating and sexy.
‘The story opens with the camera panning out over a modern-looking room. There is a row of four beds, each of which has one person fast asleep under the covers. We cannot see who they are until suddenly there is a ray of sunshine that beams through the window over each of the beds in quick succession. As this happens, the people on the bed throw off their bed covers in perfect synchronization. As they emerge, we see that they are four very beautiful, young girls. They stretch in synchronization and step out of their beds in synchronization. In perfect synchronization they get ready quickly and have their breakfast. They step out of the housein synchronized steps. We then see that they have reached another building. At this building, they step inside and go into a changing room where there are four empty booths waiting for them. In perfect synchronization, they step into the changing booths and when they step out we see they are in swimming suits. In the climax of the film, all four dive in perfect synchronization into a swimming pool and it is revealed to us that they are in fact – synchronized swimmers!’
There were a few long moments of silence – of anticipation on the agency’s side, horror on Sid’s part. Akash was nodding slowly, his hand still covering his eyes.
As per protocol, Akash, as the most senior person, was supposed to speak first. Everyone waited … and waited. Finally, Akash uncovered his eyes and spoke, but only to sidestep smoothly by saying, ‘I’m still absorbing it. Sid, you want to react first?’
This was exactly what Sid had been hoping for. Biting back sarcasm, he asked politely, ‘This is supposed to be an ad for our lead toilet cleaner, Kollinex. I must have missed the part where that came in?’
Rimi fumbled with her script, the very picture of ghostly, pale confusion, but Murali stepped in, booming, ‘Well, obviously Rimi didn’t spell it out, Sid, but the very idea here is to bring a certain glamour to the category. These girls are well rested and fresh in the morning. “Fresh in the morning”. The morning routine consists of bathroom visits – it’s about the concept. Here we are trying to give you a feel of the whole story without the boring product windows and brand specifics.’ He paused for impact, and to give Sid a look that magnificently combined superiority with reproach. ‘But of course, you have to be able to visualize it.’
Work Sid prided himself on being a cool character whose feathers rarely got ruffled. Right now, however, he felt the blood rushing to his ears. He was on the verge of telling Murali to visualize exactly where he could stuff his lousy script, when Akash finally cleared his throat and looked up at the several tense faces around the room.
He exclaimed, ‘I can see it! I can visualize!’
As Sid looked on in dumbstruck horror, unable to believe his ears, Akash continued, ‘Apart from
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