Smoke and Mirrors

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Authors: Neil Gaiman
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wandered a long way from home that day.
    I was exploring. I went past the manor, its windows boarded up and blind, across the grounds, and through some unfamiliar woods. I scrambled down a steep bank, and I found myself on a shady path that was new to me and overgrown with trees; the light that penetrated the leaves was stained green and gold, and I thought I was in fairyland.
    A little stream trickled down the side of the path, teeming with tiny, transparent shrimps. I picked them up and watched them jerk and spin on my fingertips. Then I put them back.
    I wandered down the path. It was perfectly straight, and overgrown with short grass. From time to time I would find these really terrific rocks: bubbly, melted things, brown and purple and black. If you held them up to the light you could see every color of the rainbow. I was convinced that they had to be extremely valuable, and stuffed my pockets with them.
    I walked and walked down the quiet golden-green corridor, and saw nobody.
    I wasn’t hungry or thirsty. I just wondered where the path was going. It traveled in a straight line, and was perfectly flat. The path never changed, but the countryside around it did. At first I was walking along the bottom of a ravine, grassy banks climbing steeply on each side of me. Later, the path was above everything, and as I walked I could look down at the treetops below me, and the roofs of occasional distant houses. My path was always flat and straight, and I walked along it through valleys and plateaus, valleys and plateaus. And eventually, in one of the valleys, I came to the bridge.
    It was built of clean red brick, a huge curving arch over the path. At the side of the bridge were stone steps cut into the embankment, and, at the top of the steps, a little wooden gate.
    I was surprised to see any token of the existence of humanity on my path, which I was by now convinced was a natural formation, like a volcano. And, with a sense more of curiosity than anything else (I had, after all, walked hundreds of miles, or so I was convinced, and might be anywhere), I climbed the stone steps, and went through the gate.
    I was nowhere.
    The top of the bridge was paved with mud. On each side of it was a meadow. The meadow on my side was a wheatfield; the other field was just grass. There were the caked imprints of huge tractor wheels in the dried mud. I walked across the bridge to be sure: no trip-trap, my bare feet were soundless.
    Nothing for miles; just fields and wheat and trees.
    I picked an ear of wheat, and pulled out the sweet grains, peeling them between my fingers, chewing them meditatively.
    I realized then that I was getting hungry, and went back down the stairs to the abandoned railway track. It was time to go home. I was not lost; all I needed to do was follow my path home once more.
    There was a troll waiting for me, under the bridge.
    “I’m a troll,” he said. Then he paused, and added, more or less as an afterthought, “Fol rol de ol rol.”
    He was huge: his head brushed the top of the brick arch. He was more or less translucent: I could see the bricks and trees behind him, dimmed but not lost. He was all my nightmares given flesh. He had huge strong teeth, and rending claws, and strong, hairy hands. His hair was long, like one of my sister’s little plastic gonks, and his eyes bulged. He was naked, and his penis hung from the bush of gonk hair between his legs.
    “I heard you, Jack,” he whispered in a voice like the wind. “I heard you trip-trapping over my bridge. And now I’m going to eat your life.”
    I was only seven, but it was daylight, and I do not remember being scared. It is good for children to find themselves facing the elements of a fairy tale—they are well equipped to deal with these.
    “Don’t eat me,” I said to the troll. I was wearing a stripy brown T-shirt, and brown corduroy trousers. My hair also was brown, and I was missing a front tooth. I was learning to whistle between my teeth, but

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