Marjo had turned away, too, and her voice got very quiet. âYou may not wish to be what I am, but we are together. Forever.â
âForever?â Selna turned back.
âAt least as long as you live.â
Selna was thinking so hard about that, she did not hear the sound. The first she knew there was a cat nearby was when he had launched himself, hitting her square in the back. Without hesitating, even as she was falling, she drew her knife.
The Ballad:
Ballad of the Catâs Bride
Do not go to the woods, my girl,
Red ribbands in your hair,
Do not go to the woods at night,
For Lord Catmun is there.
Heâll spring upon you silently,
Heâll leave you there for dead,
Heâll take away your virtue
And leave you a babe instead.
Heâll take away your virtue,
And heâll take away your name,
And leave you but a weanling child
To carry to your shame.
Do not go to the woods, my girl,
If you a maid would stay,
Do not go to the woods at night,
Go only in the day.
The Story:
As Selna turned, knife in her hand, she thrust upward. The cat thew back his head at the same time as if trying to fight something behind him. Then he screamedâan awful soundâand collapsed on top of Selna.
She pushed him off and stood up shakily. âWhatâ¦?â she began. Then she saw the knife in the catâs back and Marjo looking at her oddly.
âLucky you drew your knife so I could draw mine,â Marjo said.
âI donât know what to say.â
âThatâs a good start,â Marjo said. âLetâs skin this cat down quickly and go. Itâs spring. There might be a mate.â
âThereâs sure to be one,â Selna said. âBut sheâs probably laired up with kits.â
That was the last they spoke, working side by side as easily and as silently as old friends. Or new enemies.
When they were finished, another night was all but gone. They started on the path together, but the moon could find them only intermittently. Each time it disappeared, so did Marjo.
When they reached the road at last, the moon was slowly setting behind the hills. It was long gone by the time Selna got to the gates of her Hame alone.
Her mother was sleeping on Selnaâs bed, her cheeks still wet with tears. Selna got in beside her and put her head against her motherâs back. âI am a woman now,â she whispered, loud enough to be heard, quiet enough not to waken anyone.
Her mother stirred, turned in her sleep. A stray strand of white-gold hair fell across her mouth. Selna carefully picked it off and smoothed it back. âBut that doesnât mean I have to forget, does it?â
Her mother woke briefly. âForget what, dear?â she mumbled.
âI will never forget her,â Selna whispered. She stood and took the guttered candle from the bedside, walked out to the hearth to light it. As she bent over the fire, a voice whispered in her ear.
âI will never forget her, either.â
Selna turned. And looking into her other, darker eyes, at last she smiled.
The Myth:
Then Great Alta drew aside the curtain of her hair and showed them her other face, her hidden face. It was dark where she was light. She was two and she was one. âAnd so ye shall be,â quoth the two Atlas. âSo shall all my daughters be. Forever.â
Journey into the Dark
T RANSLATION FROM THE ALTAR stone at the great temple at Chichén Itzá, excavated May 14, 2030
Let me tell you a story my children. When the young prince Ho châok lay dying on his small bed, he had around him the four that he loved best. Kneeling by his head was his lady mother, the queen, who had pulled out all the pins from her hair in mourning and likewise the pin from her lip.
His brother, the king-that-was-to-be, Qich Mam, sat by his feet; tears kept in check by the slow breathing he had been taught since a child.
His sister, who was to have been the young princeâs bride,
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