perhaps no longer full consent.â
âWhat?â
âOh, itâs a definition. Of sin.â
âMy wife ⦠my first wife, was a Catholic. I remember now. Grave matter. Full knowledge. And full consent.â
âExactly.â
âBut youâre not Catholic, Ruth.â
âNo. But religion has always fascinated me.â
âOh.â
âI surprise you?â
âIn every way, my dear.â
Ah ⦠âmy dear.â
âI assume you want some form of absolution.â
âNo. No, I want to tell you â¦â
Tell me nothing, Charles. Tell me nothing. I am familiar with sin â¦
âLetâs see. I assume youâve come to tell me that âthis will never happen again,â and to warn me.â
âYou insult us both.â
I might win.
âWe have a choice. This will sound very cold. Very calculating. Forgive me. Our choice is order or chaos.â
âWell, define âorderâ for me, Charles.â
âThe order of denial. Or the order of ⦠deceit.â
âAnd chaos? What about chaos?â
âChaos of discovery. And the destruction of our families.â
âAnd?â
âAnd you, Ruth, as I have observed, are built for ordered deceit.â
âAnd you?â
âI donât know. On the surface, perhaps. Even more than you. But I donât know.â
âElizabeth?â I ventured.
âThe first rule, Ruth, is that you will never mention Elizabeth when we are together ⦠like this.â
âRules?â The rules of engagement.
âYes. You see, Ruth, we match each other.â
âPerhaps.â
Children alone in the dark who have never been happy or good.
TWENTY-ONE
----
I, who believed myself a master in most things, now began my apprenticeship to Charles Harding.
I had believed him to be my victim. But he had been more willing than I knew. I had sought to trap. And was trapped, in a world of my own making. Which he came to dominate.
Nothing prepared me for my hungers, which, if not assuaged, would surely devour me.
Charles was not untouched by meâhe had needs, too. But he could place limits on his desire. Whereas I had none. So I learned fear. But I never told my fear to Charles. Why arm oneâs master? He was already strong enough.
Charles was the stronger. And the stronger is always feared. âBetter to be feared than lovedâ? Best to be feared and loved. Can they exist together? They almost always do.
Why does the child love? Fear of abandonment, when sustenance is still needed. Is it the same with âloveâ? But that is not the correct word. What is the wordâwhen one body feeds another? I had been worshipped by Dominick. I had seen his fear. Of abandonment.
Now it was my turn. It always comes around. Your turn, for pain, for knowledge. The knowledge you wish you had not attained. But it comes. For no one can do your knowing for you.
Elizabethâs studio moved into the pattern of my lusts. Once, just once, I led a trapped Charles past blank, upstanding canvasses, and the blind blue skies she had painted were mocked by meâby my actions. In silence, though with sighs. And Elizabethâs ⦠things ⦠moved deeper into the pattern of my needs.
Over years, the lie became a habit. We wore it well. My lifetime of small deceits had made me a skilled exponent of a dubious art.
Had Charles learned his capacity for treachery early? Or had it suddenly blossomed in that short, fatal relationship of long ago? In the year of Felicityâs death.
Perhaps his was just a natural talent. I feared him too much to delve too deeply.
And I sometimes wondered, did he not fear another tragedy? Or were Elizabethâs innocence and goodness his great protection?
Our times together, easily arrangedâwe had âprivileged informationââwere compulsive, fierce and never satisfying. They became a spiral staircase into rooms the
RS Anthony
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