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Authors: P. D. James
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perfunctory; his preoccupation preceded him like a miasma as he wriggled up close to the bed.
Dalgliesh despised him as a ghoul; hardly, he admitted, a rational cause for dislike. In a perfectly organized world, foot fetishists would, no doubt, become chiropodists; hair fetishists, hairdressers; and ghouls, morbid anatomists. It was surprising that so few of them did. But Sir Miles laid himself open to the implication. He approached each new corpse with eagerness, almost with glee; his macabre jokes had been heard at half the dining clubs in London; he was an expert in death who obviously enjoyed his work. Dalgliesh felt inhibited in his company by the consciousness of his dislike for the man. Antipathy seemed to crackle from him. But Sir Miles was oblivious of it He liked himself too well to conceive that other men might find him less lovable, and this endearing naivety gave him a kind of charm. Even those colleagues who most deplored his conceit, his publicity seeking, and the irresponsibility of most of his public utterances, found it hard to dislike him as much as they felt they should. Women were said to find him attractive. Perhaps he had a morbid fascination for them. Certainly his was the infectious good nature of a man who necessarily finds the world an agreeable place since it contains himself.
He always tut-tutted over a body. He did so now, plucking back the sheet with a curiously mincing gesture of his pudgy fingers. Dalgliesh walked over to the window and gazed out at the tracery of boughs through which the distant hospital, still lit up, gleamed like an insubstantial palace suspended in air. He could hear the faint rustling of bed linen. Sir Miles would only be making a preliminary examination, but even to think of those pudgy fingers insinuating themselves into the body’s tender orifices was enough to make one hope for a peaceful death in one’s own bed. The real job would be done later on the mortuary table, that aluminum sink with its grim accessories of drains and sprays on which Josephine Fallon’s body would be systematically dismembered in the cause of justice, or science, or curiosity, or what you will. And afterwards, Sir Miles’s mortuary attendant would earn his guinea by stitching it up again into a decent semblance of humanity so that the family could view it without trauma. If there were a family. He wondered who, if anyone, would be Fallon’s official mourners. Superficially there was nothing in her room—no photographs, no letters—to suggest that she had close ties with any living soul.
While Sir Miles sweated and muttered, Dalgliesh made a second tour of the room, carefully avoiding watching the pathologist. He knew this squeamishness to be irrational and was half ashamed of it. Post mortem examinations did not upset him. It was this impersonal examination of the still warm female body which he couldn’t stomach. A few short hours ago she would have been entitled to some modesty, to her own choice of doctor, free to reject those unnaturally white and eagerly probing fingers. A few hours ago she was a human being. Now she was dead flesh.
It was the room of a woman who preferred to be unencumbered. It contained the necessary basic comforts and one or two carefully chosen embellishments. It was as if she had itemized her needs and provided for them expensively but precisely and without extravagance. The thick rug by the bed was not, he thought, the kind provided by the Hospital Management Committee. There was only one picture but that was an original water color, a charming landscape by Robert Hills, hung where the light from the window lit it most effectively. On the window-sill stood the only ornament, a Staffordshire pottery figure of John Wesley preaching from his pulpit. Dalgliesh turned it in his hands. It was perfect; a collector’s piece. But there were none of the small trivial impedimenta which those living in institutions often dispose about them to provide comfort or
Dalgliesh despised him as a ghoul; hardly, he admitted, a rational cause for dislike. In a perfectly organized world, foot fetishists would, no doubt, become chiropodists; hair fetishists, hairdressers; and ghouls, morbid anatomists. It was surprising that so few of them did. But Sir Miles laid himself open to the implication. He approached each new corpse with eagerness, almost with glee; his macabre jokes had been heard at half the dining clubs in London; he was an expert in death who obviously enjoyed his work. Dalgliesh felt inhibited in his company by the consciousness of his dislike for the man. Antipathy seemed to crackle from him. But Sir Miles was oblivious of it He liked himself too well to conceive that other men might find him less lovable, and this endearing naivety gave him a kind of charm. Even those colleagues who most deplored his conceit, his publicity seeking, and the irresponsibility of most of his public utterances, found it hard to dislike him as much as they felt they should. Women were said to find him attractive. Perhaps he had a morbid fascination for them. Certainly his was the infectious good nature of a man who necessarily finds the world an agreeable place since it contains himself.
He always tut-tutted over a body. He did so now, plucking back the sheet with a curiously mincing gesture of his pudgy fingers. Dalgliesh walked over to the window and gazed out at the tracery of boughs through which the distant hospital, still lit up, gleamed like an insubstantial palace suspended in air. He could hear the faint rustling of bed linen. Sir Miles would only be making a preliminary examination, but even to think of those pudgy fingers insinuating themselves into the body’s tender orifices was enough to make one hope for a peaceful death in one’s own bed. The real job would be done later on the mortuary table, that aluminum sink with its grim accessories of drains and sprays on which Josephine Fallon’s body would be systematically dismembered in the cause of justice, or science, or curiosity, or what you will. And afterwards, Sir Miles’s mortuary attendant would earn his guinea by stitching it up again into a decent semblance of humanity so that the family could view it without trauma. If there were a family. He wondered who, if anyone, would be Fallon’s official mourners. Superficially there was nothing in her room—no photographs, no letters—to suggest that she had close ties with any living soul.
While Sir Miles sweated and muttered, Dalgliesh made a second tour of the room, carefully avoiding watching the pathologist. He knew this squeamishness to be irrational and was half ashamed of it. Post mortem examinations did not upset him. It was this impersonal examination of the still warm female body which he couldn’t stomach. A few short hours ago she would have been entitled to some modesty, to her own choice of doctor, free to reject those unnaturally white and eagerly probing fingers. A few hours ago she was a human being. Now she was dead flesh.
It was the room of a woman who preferred to be unencumbered. It contained the necessary basic comforts and one or two carefully chosen embellishments. It was as if she had itemized her needs and provided for them expensively but precisely and without extravagance. The thick rug by the bed was not, he thought, the kind provided by the Hospital Management Committee. There was only one picture but that was an original water color, a charming landscape by Robert Hills, hung where the light from the window lit it most effectively. On the window-sill stood the only ornament, a Staffordshire pottery figure of John Wesley preaching from his pulpit. Dalgliesh turned it in his hands. It was perfect; a collector’s piece. But there were none of the small trivial impedimenta which those living in institutions often dispose about them to provide comfort or
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