sad,â she said. âSongfather looked very strange. I went away then, stumbling a little. I wept. I miss my friend.â She gulped, and I saw her wipe her face with her hand. âI miss my love. I will always miss my love.â She walked away then, not glancing at me, but her cheeks were wet.
Shalumnâs were the only tears I saw shed for me. Song-father could not show grief. Chahdzi could not show grief. Hazini would not grieve, nor Zinisi, nor any of the people of the hive. Weaving Woman sends the shuttles to and fro, light and dark, youth and age, good and ill, wisdom and stupidity. Belief and doubt, also. Belief and doubt.
Often the pattern is not as we ourselves would weave it.
M asanees brought Saluez back to the hive and her story stopped. Time went by, yes, but Saluez did not care much about that. She did not hunger or thirst. The women around her forced her to eat and drink. Her prayers to Weaving Woman had not been answered. Her shuttle had not carried light. Her pattern was dark, only dark, and no one could see its end. There was no story of Saluez.
What was true of me was true also of Snark. During that time, she had no story. She was as she was, and little changed from day to day. We were stopped, our shuttles still, our colors waiting. During this time, the story was Luthaâs story, the pattern was Luthaâs pattern.
âM y name is Trompe paggas,â the Fastigat said into Luthaâs annunciator. âIâve been assigned as your assistant.â
She opened her door to the surging traffic. A hurrying passerby bumped her visitor hard enough to carom him into her, and clutching one another, they almost fell intoher rooms. She stumbled to the door and shut it against the noise of the crowded concourse while her disheveled guest brushed himself off. He seemed more annoyed than the minor trampling warranted.
âHow do you stand it?â he growled.
âStand what?â She was puzzled.
âLiving in all this mob!â
Her face cleared. It wasnât a mob. It was just the ordinary workaday crowd, but this man was used to Fastiga, where things were managed differently, or to Prime, which was, if anything, too sparsely populated. Trompe Paggas had even put on a coverall so he wouldnât be contaminated by rubbing up against people. Now, before he had even divested himself of this garment, he said, âYouâre ambivalent about me.â
She laughed, the sounds fluttering up her throat like startled birds. This was so familiar, so like Leelson, this Fastigat habit of holding her feelings up before her, as though she didnât know how she felt unless he told her! Even his gently concerned tone of voice was the same, even his expression, kindly and questioning.
âTrompe, donât tell me. Please. Let that be a rule between us. Of course Iâm ambivalent about you. Iâm ambivalent about everything! About the trip. About taking Leely. About finding out something, or not finding out anything. About the Ularians wiping out humanity!â
âAmbivalent, even about the prospect of destruction?â he asked, shocked.
âSometimes. Sure. Some days, doesnât it seem like a good idea we should all be wiped out? Some days, donât we make a royal mess of things?â As an official translator, she was aware of that mess, if he wasnât. Words of impassioned rage and raw desperation flowed through her workstation every day. Broken treaties. Misinterpreted promises. Endless renegotiation. Forged certifications. Lies and evasions. She laughed again, seeing his expression.
âNo,â he said soberly. âIt does not seem like a good idea. All problems can be solved. It merely takes the will and attention to do so.â
She shrugged, smiling: he was so very Fastigat!
âAll right, I wonât make problems. I realize youâll know how I feel. Iâll tell you right now, you probably wonât ever know how Leely
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