in these hills?â Olive laughed.
âNo, not like that, this is what I mean.â Helen leaned forward, beginning to relax in the effort of explanation. The fact. The story of one or two people. She told about the Catalan family. The story of Toni. She was speaking fast now, wanting to be finished. âIt seems more a question of the presence of belief, of feeling.â
âThatâs what gets me angry,â Olive said slowly, and her eyes lengthened. They were dark. There was sun.
âThe emotion?â
âNot theirsâonly that I canât feel it myself. It was that way in France, too. I canât make myself feel it.â
Helenâs hand came out in a push of denial. âDonât be one of those,â she said vehemently. âI hate them most, and I know plenty of them in New York. The spoiled, brutal girls with the disappointed faces, trying for all theyâre worth to make themselves feel.â
Olive looked sharply at her.
âWhy should you feel; who are you that you should push anything on yourself?â Helen said, in a loss of control. âLet yourself alone; my God!â Olive was staring at her. Surprise and regret, until the jealousy passed. The look pulled Helen in. She was quiet, and went on evenly.
âDonât feel anything,â she said. âThatâs not so terrible. Only donât try so.â
âAnd what about you, does everything hit you hard?â
Helen sat back against the lace, against the gray upholstery. âOh, that, itâs the last thing that counts, anyway, the way we are. Weâre to be quiet, and stay in the train. Tourists! To look out the window!â
She repeated the names of the lace border, with pain, and with a certain sarcasm that drew the two women together more quickly than any talk about emotions could. The pattern ran straight over all the lace edges.
âMadrid-Zaragoza-Alicante.â
âMadrid-Zaragoza-Alicante.â
THE AFTERNOON WAS deepening, and the population of the station platform was growing continually.
From the street behind the station, automobiles could be heard. They must go down the street very slowlyâtheir horns were blowing, a harsh triplicate blowing, One-Two-Three down the road. One of them swung into sight, pulled down the half-street to the station, and stopped. On its side was painted, in white, scrawling letters, âC.N.T.,â and the long, new car behind it was lettered âF.A.I.â
âWhat does that mean?â Helen asked.
âI wonder where Peter is,â said Olive.
From the car, armed men were hurrying to the train. Two of them stopped at the back of the station house, and the others broke into a half-run, heading up toward the engine.
After a few minutes they ran back to their cars, got in, and with a screeching of tires, the cars pulled off.
The horns went One-Two-Three the length of the village, seemed to turn, and faded.
âIâve got to get Peter,â Olive repeated, and stood.
Peter was at the door.
âLook,â he said gaily, âI lost them. They went back to their compartment,â
âWhat do you know?â Olive asked.
âOh, itâs complicated,â he answered. âSo many Anarchists, too. But not like oursâhere, theyâre different, theyâre in the majority, and itâs natural anarchism: theyâve never seen any party that didnât rob them, the state is always the church and the generals and the other landowners, and it looks as though those are the people who have attacked this government. Itâs a liberal government, too, voted in OK, nothing particularly left-wing about itânot last night, anyhow,â he added with a grin.
âAnd the cars?â Helen remembered initials.
âThatâs what gets me,â he said, puzzled. âI know some of the letters. C.N.T.âthatâs Confederación Nacional del Trabajo; F.A.I.â Federación
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