a hand lovingly across the slate sink. “Nice hardwood floors, high speed access—you never told me what you do.”
Jane laughed. “As little as possible. Here—”
She handed him a brandy snifter, let her finger trace the
top par t o f hi s wrist. “You look like kind of an adventurous sort
of guy.”
“Hey, big adventure, that’s me.” He lifted his glass to her. “What exactly did you have in mind? Big game hunting?”
“Mmm. Maybe.”
It was more of a struggle this time, not for Geoff Lanning but for Jane. He lay complacently in his bonds, his stocky torso wriggling obediently when Jane commanded. Her head ached from the cheap wine at Bar Ganza; the long hairs above her eyes lay sleek against her skull, and did not move at all until she closed her eyes, and, unbidden, the image of David Bierce’s hand covering hers appeared.
“Try to get away,” she whispered.
“Whoa, Nellie,” Geoff Lanning gasped.
“Try to get away,” she repeated, her voice hoarser.
“Oh. ” The man whimpered softly . “Jesus Christ, what—oh my God, what —”
Quickly she bent and kissed his fingertips, saw where the
leather cuff had bitten into his pudgy wrist. This time she was
prepared when with a keening sound he began to twist upon the bed, his arms and legs shriveling and then coiling in upon themselves, his shaved head withdrawing into his tiny torso like a snail within its shell.
But she was not prepared for the creature that remained, its feathery antennae a trembling echo of her own, its extraordinarily elongated hind spurs nearly four inches long.
“ Oh ,” she gasped.
She didn’t dare touch it until it took to the air: the slender spurs fragile as icicles, scarlet, their saffron tips curling like Christmas ribbon, its large delicate wings saffron with slate-blue and scarlet eye-spots, and spanning nearly six inches. A Madagascan Moon Moth, one of the loveliest and rarest silk moths, and almost impossible to find as an intact specimen.
“What do I do with you, what do I do?” she crooned as it spread its wings and lifted from the bed. It flew in short sweeping arcs; she scrambled to blow out the candles before it could near them. She pulled on her kimono and left the lights off, closed the bedroom door and hurried into the kitchen, looking for a flashlight. She found nothing, but recalled Andrew telling her there was a large torch in the basement.
She hadn’t been down there since her initial tour of the flat. It was brightly lit, with long neat cabinets against both walls, a floor-to-ceiling wine rack filled with bottles of claret and vintage burgundy, compact washer and dryer, small refrigerator, buckets and brooms waiting for the cleaning lady’s weekly visit. She found the flashlight sitting on top of the refrigerator, a container of extra batteries beside it. She switched it on and off a few times, then glanced down at the refrigerator and absently opened it.
Seeing all that wine had made her think the little refrigerator might be filled with beer. Instead it held only a long plastic box, with a red lid and a red biohazard sticker on the side. Jane put the flashlight down and stooped, carefully removing the box and setting it on the floor. A label with Andrew’s neat architectural handwriting was on the top.
—
DR. ANDREW FILDERMAN
ST. MARTIN’S HOSPICE
—
“Huh,” she said, and opened it.
Inside there was a small red biohazard waste container, and scores of plastic bags filled with disposable hypodermics, ampules, and suppositories. All contained morphine at varying dosages. Jane stared, marveling, then opened one of the bags. She shook half a dozen morphine ampules into her palm, carefully reclosed the bag, put it back into the box, and returned the box to the refrigerator. Then she grabbed the flashlight and ran upstairs.
It took her a while to capture the moon moth. First she had to find a killing jar large enough, and then she had to very carefully lure it inside, so that
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