Rock 'n' Roll

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Authors: Tom Stoppard
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Ask your friends.
    MAX What friends?
    MILAN Last night—the friends you skipped the dinner for. (
reproachful
) That was ungrateful, Max. The Philosophy Faculty was under pressure to withdraw your invitation to the conference.
    MAX Pressure from you?
    MILAN Tsk, tsk, Max. You don’t know who your friends are.
    He uncrumples the leaflet.
    MILAN (
cont.
) ‘Release the prisoners of Charter 77.’ (
in jest
) I hope you didn’t spend your evening blowing up balloons.
    He takes his Party pin from his lapel.
    MILAN (
cont.
) Party pin. Balloon.
    He pops the balloon.
    MILAN (
cont.
) Symbolism!
    He laughs and replaces the pin.
    MAX When I left the Party, I didn’t go public, you know.
    MILAN Max, Max …
    MAX There were people in ’56 who burned their Party cards in Trafalgar Square. I only told my family. It turned out my son-in-law was sleeping with a woman on his paper, so … Whooh! I’m glad Eleanor missed it. You can’t imagine what it’s like to be this week’s carcass for the British press. Esme and her husband are trying to patch things up for the sake of the child, but I entertain some hope that nothing will come of that.
    MILAN I am so sorry about your wife.
    MAX Thank you.
    MILAN So … what did you want?
    MAX You remember Jan. Anyone who gives him a job gets a visit next day and he loses the job. I’m told he’s sleeping on friends’ floors, living as a beggar. I thought I’d try to do him a good turn.
    MILAN Max, this is beneath you. Ask me for something worthwhile. Your friend is so unimportant, I’d be ashamed to notice his existence.
    MAX I have nothing to offer.
    MILAN Well … let me know when you have.
    MAX Do you know you turned Jan into a Chartist?
    MILAN No, but hum it to me and I’ll pick it up … (
contemptuously
) Chartist! Normal people don’t like Chartists, they like a quiet life, nice flat, a car, a bigger TV … All this ‘human rights’ is foreigners thinking they’re better than us. Well, they’re not better than us.
    MAX (
more in anger than in sorrow
) But it was you who called the Charter up from the deep! Is this what I was keeping the faith for? For some stupid policemen to make a pig’s arse out of a pig’s ear? Czechoslovakia was forgotten. You had it all to yourselves. And simply out of annoyance, for the sake of venting your spite on a few drop-outs who were of no danger to you—
no danger at all
—you made a festival for the Western press to shit all over the idea that a better way is still possible and looks—despite everything—looks east to the source.
    MILAN Max. You know something? You fascinate me.
    Max and Milan split and leave.
    Jan finishes reading.
    FERDINAND We’ve got over two hundred signatures.
    JAN So. What are you going to do with it?
    FERDINAND Post it to Husák.
    JAN Post it.
    FERDINAND With copies to the foreign press.
    JAN Though it’s not a dissident thing. You’re an imbecile.
    FERDINAND Okay.
    JAN Everything’s dissident except shutting up and eating shit. I wish to Christ I’d learned to play the guitar, but it’s too late now. Have you got a pen?
    Ferdinand gives him a pen. Jan signs, gives the Charter and the pen back to Ferdinand. He tries the turntable. He puts the Beach Boys on it, choosing the track. Ferdinand watches him uncomfortably.
    FERDINAND I’ll do tapes for you. I know it’s not the same. I’m really sorry, Jan.
    JAN Hey, Ferdo, it’s only Rock ‘n’ Roll.
    The Beach Boys start singing ‘Wouldn’t It Be Nice’. Jan starts picking up broken records, dumping them in a bin.
    Fade to black.
    End of Act One.

ACT TWO
    Blackout and ‘I Still Haven’t Found What I’m Looking For’ by U2.
    Smash cut to Cambridge. Summer 1987. Garden and interior as before. Night, the interior in near-darkness.
    Esme is in the garden, little more than a shadow and a glowing

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