discovered. Somewhere over a desert in the western United States, an American jet breaks the sound barrier. Truman appoints George C. Marshall secretary of state, and the Marshall Plan begins. Giacometti’s sculpture Man Pointing. The Plague, by Albert Camus. The U.N. announces a plan for the partition of Palestine. The Actors Studio is founded in New York. André Gide wins the Nobel Prize. Pablo Casals vows not to perform in public as long as Franco is in power. Al Capone dies. Sugar rationing in the U.S. ends after five years. Jackie Robinson becomes the first black baseball player in the major leagues. Truman signs Executive Order 9835, requiring a loyalty oath from all government employees, and becomes the first president to address the American people on television. I, the Jury, by Mickey Spillane. Doktor Faustus, by Thomas Mann. HUAC opens its investigation into Communist influence in the movie industry. Monsieur Verdoux, by Charlie Chaplin. The Yankees beat the Dodgers in the World Series. Maria Callas makes her debut. More than twenty-eight inches of snow falls on New York, the largest blizzard in the city’s history. Out of the Past, directed by Jacques Tourneur—as well as Body and Soul, Brute Force, Crossfire, Born to Kill, Dead Reckoning, Desperate, Framed, Kiss of Death, Lady in the Lake, Nightmare Alley, Possessed, Railroaded, Dark Passage, and They Won’t Believe Me. Random, unrelated events, connected only by the fact that they all occurred in the year of your birth, 1947.
You remember the planes, the supersonic jets roaring across the blue skies of summer, cutting through the firmament at such exalted speeds that they were scarcely visible, a flash of silver glinting briefly in the light, and then, not long after they had vanished over the horizon, the thunderous boom that would follow, resounding for miles in all directions, the great detonation of blasting air that signified the sound barrier had been broken yet again. You and your friends were thunderstruck by the power of those planes, which always arrived without warning, announcing themselves as a furious clamor in the far distance, and within seconds they were directly overhead, and whatever game you and your friends might have been playing at that moment, you all stopped in mid-gesture to look up, to watch, to wait as those howling machines sped past you. It was the era of aviation miracles, of ever faster and faster, of ever higher and higher, of planes without torsos, planes that looked more like exotic fish than birds, and so prominent were those postwar flying machines in the imaginations of America’s children that trading cards of the new planes were widely distributed, much like baseball cards or football cards, in packages of five or six with a slab of pink bubble gum inside, and on the front of each card there was a photograph of a plane instead of a ballplayer, with information about that plane printed on the back. You and your friends collected these cards, you were five and six years old and obsessed with the planes, dazzled by the planes, and you can remember now (suddenly, it is all so clear to you) sitting on the floor with your classmates in a school hallway during an air-raid drill, which in no way resembled the fire drills you were also subjected to, those impromptu exits into the warmth or the cold and imagining the school as it burned to the ground in front of your eyes, for an air-raid drill kept the children indoors, not in the classroom but the hallway, presumably to protect them against an attack from the air, missiles, rockets, bombs dropped from high-flying Communist planes, and it was during that drill that you saw the airplane cards for the first time, sitting on the floor with your back against the wall, silent, with no intention of breaking that silence, for talking was not allowed during these solemn exercises, these useless preparations against possible death and destruction, but one of the boys had a pack of those
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