trust, splurging it all. None of them appealed to me in the least. What kind of charitable trust would I have founded? I didn’t feel strongly about any issues. If I went out on a mad spending spree, what would I buy? I wasn’t interested in art, or clothes, or drugs. The champagne I’d had the other day had tasted acrid, like cordite, and then I’d only bought it because Marc Daubenay had told me I should; I’d tried foie gras once, in Paris: it had made me sick. No: I’d picked up all the options, held each one like a child holding a cheap and crappy toy for a few seconds until, realizing that it’s not going to spin, make music or in any way enchant him, he puts it down again. So I was bored—by people, ideas, the world: everything.
Greg lurched off to the kitchen to get more drink. I sat down on a sofa and looked around. It seemed a pretty boring party. I didn’t know many of the people there and wasn’t very interested in the ones I did know. David worked in PR or marketing or something like that; he bored me and his friends were boring too. I went and stood beside the window, two or so feet to its right. I stayed there for a while, then moved into the kitchen and topped up my glass. I’d hardly touched it, but it was something to do. I moved back to the main room and met Greg again.
“Hey dude!” he said, throwing the same arm round me. “So where’s Catherine?” He was slightly drunker than he’d been a quarter of an hour ago.
“She’s in Oxford,” I said.
He lurched off again and I moved back to the sofa, then to the spot beside the window. This second spot was a better one. I’d become good at sensing which are good positions and which aren’t when I’d been in hospital. It’s because you can’t move for yourself. In normal life, where you can move, you take being able to change your position for granted; you don’t even think about it. But when you’re injured and immobile, you have to go exactly where the doctors and nurses put you. Where they put you becomes terribly important—your position in relation to the windows, the doors, the TV set. The ward I spent most time in when I’d come out of intensive care was L-shaped. I was on the short side of the L, the foot, just inset from the corner where the long side hit it. It was a good spot: it had commanding views down both of the ward’s avenues, clear sightlines to the nurses’ enclave and the trolley station and the other little pockets of importance, crinkles in the flow of the ward’s surfaces. In the ward after that I had a really bad spot, in a bed facing the wrong way, facing nowhere in particular, just wrong. Position has been important to me ever since. It’s not just hospital: it’s the accident as well. I was hit because I was standing where I was and not somewhere else—standing on grass, exposed, just like a counter on a roulette table’s green velvet grid, on a single number, waiting…
I went back to the kitchen to top my glass up again, but realized that its level hadn’t sunk at all since the last time I’d filled it, so I just stood in the doorway while two girls beside the punch bowl looked at me.
“You looking for something?” one of them asked me.
“Yes,” I said. “I’m looking for a…for a thing.” I made a kind of twiddling motion with my fingers, a gesture somewhere between opening a bottle with a corkscrew and using a pair of scissors. Then I left the kitchen again.
I was heading down the hallway back towards the main room when I noticed a small room set off the circuit I’d been following up to now. I’d moved round the kitchen each time in a clockwise direction, and round the main room in an anticlockwise one, door-sofa-window-door. With the short, narrow corridor between the two rooms, my circuit had the pattern of an eight. This extra room seemed to have just popped up beside it like the half had in my Settlement: offset, an extra. I stuck my head inside. It was a bathroom. I
Laura Susan Johnson
Estelle Ryan
Stella Wilkinson
Jennifer Juo
Sean Black
Stephen Leather
Nina Berry
Ashley Dotson
James Rollins
Bree Bellucci