of strengthening or support. Therefore, in addition to being secured at top and bottom, the spiral staircase is usually also braced by attachment along its height to a central pole or an adjacent wall (Dietz 1991,342 “Stair” 1960).
Unfortunately, spiral and other winding staircases are not only problematical as to design but are also fundamentally unsafe. Explains one authority, “For safety, any departure from a straight staircase requires careful attention to detail in design and construction.” Especially, “Because people tend to travel the shortest path around a corner, where a winder s treads are narrowest, the traveler must decide at each step where each foot falls. This maybe an intellectual and physical exercise best practiced elsewhere. In short, winders are pretty but inherently unsafe” (Locke 1992, 135, 136). Other experts agree. According to Albert G.H. Dietz, Professor Emeritus of Building Engineering at MIT, winders “should be avoided if at all possible. No adequate foothold is afforded at the angle [due to the tapering] and there is an almost vertical drop of several feet if a number of risers converge on the same point. The construction is dangerous and may easily lead to bad accidents” (Dietz 1991, 341). As a consequence, winders are frequently prohibited by building codes. That is especially true of the spiral stair, which “contains all the bad features of the winder multiplied several times” (Dietz 1991, 342).
Such problems seem to have beset the staircase at Loretto, suggesting that, at most, the “miracle” was a partial one. Safety appears to have been a concern at the outset, since there was originally no railing. At the time the staircase was completed, one thirteen–year–old sister who was among the first to ascend to the loft told how she and her friends were so frightened—absent a railing—that they came down on hands and knees (Albach 1965). Nevertheless, despite the very real hazard, it was not until 1887—ten years after the staircase was completed—that an artisan named Phillip August Hesch added the railing (Loretto n.d.). No one claims it was a miracle, yet it is described as “itself a work of art” (Albach 1965). ( See figure 6.1 .)
Figure 6.1. The spiral stairway at Loretto Chapel in Santa Fe, New Mexico, is an alleged miracle of construction.
Figure 6.2. Iron support bracket (unmentioned in published
accounts) reveals the “miracle” is a partial one. (Photos by Joe Nickell)
There were other problems over time relating to the double helix form. The helix, after all, is the shape of the common wire spring. Therefore, it is not surprising that people who trod the stairs reported “a small amount of vertical movement” or “a certain amount of springiness” (Albach 1965) and again “a very slight vibration as one ascends and descends rather as though the stair were a living, breathing thing” (Bullock 1978, 14).
Some people have thought the free–standing structure should have collapsed long ago, we are told, and builders and architects supposedly “never fail to marvel how it manages to stay in place,” considering that it is “without a center support” (Albach 1965). In fact, though, as one wood technologist observes, “the staircase does have a central support.” Heobserves that of the two wood stringers (or spiral structural members) the inner one is of such small radius that it “functions as an almost solid pole” (Easley 1997). There is also another support—one that goes un– mentioned, but which I observed when I visited the now privately owned chapel in 1993. This is an iron brace or bracket that stabilizes the staircase by rigidly connecting the outer stringer to one of the columns that support the loft. ( See figure 6.2 .)
There is reason to suspect that the staircase may be more unstable and potentially unsafe than some realize. It has been closed to public travel since at least the mid–1970s (when the reason was given
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