Bluefieldâs opening words: âAlone at last.â
They were assembled onstage under the working lights. Scutney had hopped up on a set chair.
âYouâll all be happy to hear that weâre going right ahead with The Death of Don Juan .â He raised his little paw for silence. âWith due respect to the late Foster Benedict, he saw fit to make a farcical joke out of our production. Weâre going to do it properly .â
Someone called out, âBut, Mr. Bluefield, we donât have a Don Juan.â
Scutney showed his teeth. âAh, but we will have, and a good one, too. I shanât disclose his name because I havenât completed the business arrangements. He should be joining us the day after tomorrow.
âI spent most of yesterday making cuts and line changes and revising some of the business, especially in Act One, where I think weâve been in danger of wrong audience reactions. Today and tomorrow weâll go over the changes, so we ought to be in good shape when our new Don Juan gets here. Meanwhile, as a favor to me, Mr. Manson has kindly consented to walk through the part for us. Does anyone need a pencilâ?â
They plunged into the work with relief.
The day passed quickly. Sandwiches and coffee were brought in twice. There was only one interruption, when a tabloid photographer tried to get into the theater by stretching a ladder across the alley between a window in the next building and the Playhouse roof. But he was intercepted, and an extra policeman was assigned to the roof.
It was almost ten oâclock when Scutney called a halt.
The company began to disperse.
âNot you, Miss Truslow!â
Joan stopped in her tracks. It was Chief Newby.
âI havenât wanted to interfere with Mr. Bluefiedâs working day. But now, Miss Truslow, you and I are going to have a real old-fashioned heart-to-heart talk. Whether it takes five minutes or all night is up to you. I think you know what Iâm talking about.â
Joan groped for one of the set chairs. âI have nothing to tell you! Why wonât you let me alone?â
âSheâs out on her feet, Chief,â Roger protested. âCanât this wait?â
âNot any more,â Newby said quietly. âYou stay where you are, Miss Truslow, while I get rid of those newspapermen outside. I donât want the papers in on this just yet. Iâll come back for you when the streetâs clear.â
The theater emptied. Lights began winking out. One harsh spotlight remained onstage. Joan cowered in its glare.
âRoger, what am I going to do? I donât know what to do.â
âYou know what to do, Joanie,â Roger said gently.
âHe wonât let go of me till â¦â
âTill what? Till you tell him what youâre hiding?â Roger pushed a curl of damp blond hair back from her forehead. âI know youâve been hiding something, darling. Iâve known it longer than Newby. What is it? Canât you tell even me?â
Joanâs hands quivered in her lap.
âHeâs bound to get it out of you tonight.â
âRodgeâIâm afraid.â
âThatâs why I want you to share it with me, baby. Look, Joan, I love you. What good would I be if I didnât share your troubles?â
âRodge â¦â
âTell me.â
She swallowed twice, hard, looking around nervously. The deep silence of the theater seemed to reassure her.
âAll right. All right, Rodge ⦠The other nightâduring the intermissionâwhen I was in my dressing room feeling so hurt by Fosterâs not remembering me â¦â
âYes?â
âI decided to go down to his dressing room andâand ⦠Oh, Rodge, I donât know why I wanted to! Maybe to tell him what I thought of him â¦â
âHurry it up,â Roger urged her. âThe reason doesnât matter! What happened?â
âI was
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