Portraits and Observations

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Authors: Truman Capote
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Other men in uniform joined those already in the corridor. Then one of the ladies, plucking at her amethyst brooch, turned to the rest of us and, first in Italian, then German, then English, said, “We have done nothing wrong.”
    But at that moment the door slid open and two of the officials entered. They did not look at the old ladies but went straight to the birdcage and stripped away its covering shawl. “
Basta, basta
,” screamed the parrot.
    With a lurch the train came to a halt in the mountain darkness. The abruptness of this toppled the cage, and the parrot, suddenly free, flew laughingly from wall to wall of the compartment while the ladies, flurried and flying themselves, grasped for it. The customs men went on taking the cage apart; in the feed tray were a hundred or so papers of heroin wrapped like headache powders, and in the brass ball atop the cage there were still more. The discovery did not seem to irritate the ladies at all; it was the loss of their parrot that upset them. For all at once it had flown out the lowered window, and the desperate ladies stood calling after it, “Tokyo, you will freeze, little Tokyo, come back! Come back!”
    He was laughing somewhere in the dark. There was a cold northern moon, and for an instant we saw him flying flat and dark against its brilliance. They turned then and faced the door; it was crowded now with onlookers. Poised, disdainful, the ladies stepped forward to meet faces they seemed not to see, and voices they certainly never heard.

I SCHIA
(1949)
    I forget why we came here: Ischia. It was being very much talked about, though few people seemed actually to have seen it—except, perhaps, as a jagged blue shadow glimpsed across the water from the heights of its celebrated neighbor, Capri. Some people advised against Ischia and, as I remember, they gave rather spooky reasons: You realize that there is an active volcano? And do you know about the plane? A plane, flying a regular flight between Cairo and Rome, crashed on top an Ischian mountain; there were three survivors, but no one ever saw them alive, for they were stoned to death by goatherds intent on looting the wreckage.
    Consequently, we watched the chalky façade of Naples fade with mixed anticipation. It was a classic day, a little cold for southern Italy in March, but crisp and lofty as a kite, and the
Princepessa
spanked across the bay like a sassy dolphin. It is a small civilized boat with a tiny bar and a somewhat outré clientele: convicts on their way to the prison island of Procida or, at the opposite extreme,young men about to enter the monastery on Ischia. Of course, there are less dramatic passengers: islanders who have been shopping in Naples; here and there a foreigner—extraordinarily few, however: Capri is the tourist catch-all.
    Islands are like ships at permanent anchor. To set foot on one is like starting up a gangplank: one is seized by the same feeling of charmed suspension—it seems nothing unkind or vulgar can happen to you; and as the
Princepessa
eased into the covelike harbor of Porto d’Ischia it seemed, seeing the pale, peeling ice-cream colors of the waterfront, as intimate and satisfying as one’s own heartbeat. In the wrangle of disembarking, I dropped and broke my watch—an outrageous bit of symbolism, too pointed: at a glance it was plain that Ischia was no place for the rush of hours, islands never are.
    I suppose you might say that Porto is the capital of Ischia; at any rate, it is the largest town and even rather fashionable. Most people who visit the island seldom stray from there, for there are several superior hotels, excellent beaches and, perched in the offing like a giant hawk, the Renaissance castle of Vittoria Colonna. The three other fair-sized towns are more rugged. These are: Lacco Ameno, Cassamiciola and, at the farthest end of the island, Forio. It was in Forio that we planned to settle.
    We drove there through a green twilight and under a sky of early

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