Poorhouse Fair

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Authors: John Updike
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about it but didn't ask any of the old people for an explanation. The less he had to do with them, the better. The crowd they made menaced him. A few were outside the wall, near his front tires; the rest had bunched inside, leaving a lane between them for his truck. As soon as he had started up the motor they had fallen into position respectfully, as if what they were about to see was a great feat, a modern miracle. Dirt-face hovered near the cab, whisking back and forth with the maneuvers of the truck, flirting with the giant wheels that could crush him.
    The gunshot suggested to Ted that he should hurry. The pack of Mexican cigarettes squaring out his shut pocket and the graceful look of his own hand on the wheel were reassuring reminders of the world waiting for him. His truck was still at a slight angle to the opening, but if he went forward in first once more they would get the idea he couldn't drive at all. On the left side he had enough room: six inches. On the other side there was a thin mirror, but the sleek shape of these new GM trucks left a percentage of guesswork in estimating clearance. Ted had found, in driving, though, that you always had a little more room than you thought you did. "Plenty of room," Dirt-face said, "what's the matter? Foot freeze? Shall I climb the f. in there and do it for you?"
    Ted pushed the reverse switch and delicately pressed the accelerator. "Straighten the wheels, kid. Straighten up and you're in." Ted had learned on an old hand-shift truck; automatic transmissions had the one defect of maintaining a certain minimum speed or stalling. It would make him a fool to stall in front of this mob. "More," Dirt-face called, "more." Halfway through, a faint rumbling developed on the right side, where Ted couldn't see. Just grazing. Ted corrected the direction of the front wheels, while the murmuring motor maintained a creeping backwards direction. The scraping sound intensified, but a foot or two further and the body of the truck would be safely through. With a perceptible pang of release the body eased through, and a rock clattered on the running board of the cab.
    As those watching on the right side could see, the slow pressure of the metal wall had caused cracks to race through the old brown mortar, mostly water and sand, and a coherent wedge-shaped section, perhaps eight feet long, collapsed, spilling stones over the grass. "Jesus Christ, kid," Gregg screamed, "you better give up. You're nuts!" The destruction was principally on the inner side. For the wall, so thick and substantial, was really two shells: what surprised the people standing in silence was that the old masons had filled the center with uncemented rubble, slivers of rock and smooth fieldstones that now tumbled out resistlessly.
     
    THE TRUCK had pulled up while Conner was climbing the stairs; the subsequent quick clatter and soft rumble of the collapse did not reach the cupola. Buddy's rifle shot had sounded in here like a twig snapping. Conner had no regrets about ordering the animal killed. He wanted things clean; the world needed renewal, and this was a time of history when there were no cleansing wars or sweeping purges, when reform was slow, and decayed things were allowed to stand and rot themselves away. It was a vegetable world. It's theory was organic: perhaps old institutions in their dying could make fertile the chemical earth. So the gunshot ringing out, though a discord, pleased the rebel in Conner, the idealist, anxious to make space for the crystalline erections that in his heart he felt certain would arise, once his old people were gone. For the individual cat itself he felt nothing but sorrow.
    Given his post, he had accepted it. Irishly, he had hoped for something dramatic, but the administration of order had few dramatic departments. The modem world afforded few opportunities for zeal anywhere. In the beginning there had been Mendelssohn's mess to set right: the west whig was converted into a decent

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