Poe's Children

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Authors: Peter Straub
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then beeps and whistles like birdsong or insect cries came through the stuttering electronic din, whoops and trilling laughter from the dancers. But mostly they moved in near-silence, eyes rolled ceiling-ward, bodies exploding into Catherine wheels of flesh and plastic and nylon, but all without a word.
    It gave Jane a headache—a
real
headache, the back of her skull bruised, tender to the touch. She dropped her plastic cup and started looking for a way out. She could see past the dance floor to where she had entered, but it seemed as though another hundred people had arrived in the few minutes since then: kids were standing six-deep at both bars, and the action on the floor had spread, amoeba-like, towards the corridors angling back up towards the street.
    “Sorry—”
    A fat woman in an Arsenal jersey jostled her as she hurried by, leaving a smear of oily sweat on Jane’s wrist. Jane grimaced and wiped her hand on the bottom of her coat. She gave one last look at the dance floor, but nothing had changed within the intricate lattice of dancers and smoke, braids of glow-lights and spotlit faces surging up and down, up and down, while more dancers fought their way to the center.
    “Shit.” She turned and strode off, heading to where the huge room curved off into relative emptiness. Here, scores of tables were scattered, some overturned, others stacked against the wall. A few people sat, talking; a girl lay curled on the floor, her head pillowed on a Barbie knapsack. Jane crossed to the wall, and found first a door that led to a bare brick wall, then a second door that held a broom closet. The next was dark red, metal, official-looking: the kind of door that Jane associated with school fire drills.
    A fire door. It would lead outside, or into a hall that would lead there. Without hesitating she pushed it open and entered. A short corridor lit by EXIT signs stretched ahead of her, with another door at the end. She hurried towards it, already reaching reflexively for the keys to the flat, pushed the door-bar, and stepped inside.
    For an instant she thought she had somehow stumbled into a hospital emergency room. There was the glitter of halogen light on steel, distorted reflections thrown back at her from curved glass surfaces; the abrasive odor of isopropyl alcohol and the fainter tinny scent of blood, like metal in the mouth.
    And bodies: everywhere, bodies, splayed on gurneys or suspended from gleaming metal hooks, laced with black electrical cord and pinned upright onto smooth rubber mats. She stared openmouthed, neither appalled nor frightened but fascinated by the conundrum before her: how did
that
hand fit
there,
and whose leg was
that
? She inched backward, pressing herself against the door and trying to stay in the shadows—just inches ahead of her ribbons of luminous bluish light streamed from lamps hung high overhead. The chiaroscuro of pallid bodies and black furniture, shiny with sweat and here and there red-streaked, or brown; the mere sight of so many bodies, real bodies—flesh spilling over the edge of tabletops, too much hair or none at all, eyes squeezed shut in ecstasy or terror, and mouths open to reveal stained teeth, pale gums—the sheer
fluidity
of it all enthralled her. She felt as she had, once, pulling aside a rotted log to disclose the ant’s nest beneath, masses of minute fleeing bodies, soldiers carrying eggs and larvae in their jaws, tunnels spiraling into the center of another world. Her brow tingled, warmth flushed her from brow to breast…
    Another world, that’s what she had found then; and discovered again now.
    “Out.”
    Jane sucked her breath in sharply. Fingers dug into her shoulder, yanked her back through the metal door so roughly that she cut her wrist against it.
    “No lurkers, what the fuck—”
    A man flung her against the wall. She gasped, turned to run, but he grabbed her shoulder again. “Christ, a fucking girl.”
    He sounded angry but relieved. She looked up: a huge

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