like that.
MATILDA Â Â Â Whoâd ever . . .? Itâs unthinkable. It was an accident.
HENRY Â Â Â They used to say I was cuckoo before I had the accident. (
to Belcredi
) You know that better than anyoneâanybody who stuck up for me had you to deal with.
BELCREDI Â Â Â Oh, come on, it was all in good heart.
HENRY Â Â Â And thereâs my hairâlook.
BELCREDI Â Â Â But mineâs going grey too.
HENRY Â Â Â Yes, but thereâs a difference. I turned grey in here, as Henry IV. Can you understand what that means? I didnât realise!âI just noticed it one day, it was something of a shock, because I knew at once it wasnât just my hair.
I
was going grey, I was rotting away. I was done, Iâd missed the feast.
BELCREDI Â Â Â You werenât left abandoned . . .
HENRY Â Â Â I know. They longed for me to get better. Even the one who was right behind me and jabbed my horse till the blood ran . . .
DI NOLLI Â Â Â What?
HENRY Â Â Â . . . jabbed it to make it rear up, till it threw me.
MATILDA Â Â Â My God! Itâs the first Iâve heard of this!
HENRY Â Â Â Was that in good heart, too, do you suppose?
MATILDA Â Â Â Who? Who was behind us?
HENRY Â Â Â What does it matter? It could as well have been any of those who went on to the banquet and would have saved me their meagre leftovers of sympathy, a few bones of contrition on the edge of their plates. Thank you very much!
So, Doctorâsee if Iâm not a first in the annals of lunacy! I decided to stay mad, finding everything I needed here for a completely new form of amusement, to live as a madman of sound mind. Maybe it was to get my own back on the paving stone that cracked my head. What I saw when I came round was desolation, bleak and empty, and I decided to deck it out in all the colours and splendour of that long-gone carnival day when you . . . oh, there you are, my lady . . . when you had your triumph . . . and to make everyone who came here continueâthis time for my diversionâthat celebrated masquerade which had beenâfor you if not for meâ-just the whim of a day . . . to make it last forever, not as make-believe now but as the real thing, the genuine mad article: the right clothes, the throne room, the four Privy Counsellorsâall of them traitors, I gatherâ(
turning to them
) Iâd like to know what you think youâve gained by it? If Iâm cured, youâre out of a job. I must have been mad to confide in you. But now itâs my turn. Guess what? They were thinking we could carry on this charade behind your backs!
Henry begins to laugh. The others, with the exception of Matilda, laugh too.
HENRY Â Â Â (
cont.
) Donât blame them. (
shaking his clothes
) We are what we wear. Look, this is an obvious, deliberate caricature of that other charade which is the life we live as puppets . . . so you have to forgive them, they donât realise itâs only their frocks. (
to Belcredi
) You soon enter into thespirit of it. You start behaving as if youâre in some tragedy, like this . . . (
He demonstrates.
) Iâm cured, gentlemen, because Iâve woken up to my madness. So Iâm calm. Your problem is you havenât woken up to yours, so you toss and turn your whole lives through.
BELCREDI Â Â Â Oh, so in the end, weâre the madmen, are we?
HENRY Â Â Â Well, if you werenât crazy, would you have shown up here with her?
BELCREDI Â Â Â I might if I thought you were crazy.
HENRY Â Â Â And what about her?
BELCREDI Â Â Â Ah, her . . . I donât know about her. Sheâs hanging on to your every word, she seems quite entranced by your sane-as-a hatter emergence. (
to Matilda
) Since youâre dressed for the part, Countess, why donât you join him?
MATILDA Â Â Â Damn your insolence!
HENRY Â Â Â Take no notice!âhe
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