Piece of the Action

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Authors: Stephen Solomita
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Secaucus. It should have been beautiful, at least from inside the car. The cold winter winds had driven away most of the pollution and the sun was shining in the brown and gold tips of the cattails and reeds lining the roadway. It also shone brightly on mounds of garbage left by illegal dumpers, many of them commercial haulers.
    Jake turned on an unmarked side road and began to criss-cross the swamp. He made lefts and rights at random, but he never got close to being lost. Abe, on the other hand, stared at the unfamiliar landscape as if he’d been transported to the moon on a Russian sputnik.
    “You got a map, Jake?” he asked. “So we could find our way outta here.” Though he didn’t say it, the idea of being in the swamps late at night scared him a lot more than bumpin’ off some guinea.
    “In my head is where I got my map, Abe. I never get lost.”
    “The world’s first Jewish Indian.”
    “Yeah,” Jake laughed, “call me Tonto. Tonto Leibowitz.”
    A much-relieved Abe Weinberg joined in his pal’s laughter. “Yeah, yeah. Pathfinder Leibowitz.”
    “Wait, this looks like a good spot.” Jake stopped the car. “In fact, it looks perfect.”
    The road was so narrow, one car would have had to put two wheels on the shoulder to let another car pass. The reeds were higher than the car and the piles of garbage were higher than the reeds. A track leading into the swamp disappeared fifteen feet from the edge of the road.
    “All right,” Jake announced, “you wanna be an actor? You wanna be Marlon Brando? You wanna be Elvis Presley? Now’s your big chance. We’re gonna do this exactly like next week. I’m gonna be you and you’re gonna be this guy who’s gettin’ what he’s got comin’ to him.”
    “Ya don’t think we could reverse the parts, do ya? I kinda like bein’ the hero.”
    “You tryin’ ta tell me Elvis wouldn’t end up in a swamp at the end of one of his movies? That’s too bad, ’cause the way he sings, it’d be a mitzvah. ”
    They were both laughing, now.
    “Hey, remember Marlon Brando at the end of Viva Zapata ?” Abe asked. “When they dump him in the street? The people couldn’t even recognize him. That’s how many times he got shot. If Marlon could do it, I could do it. An actor’s gotta have range.”
    “Great.” Jake opened the door and stepped out of the car. Abe followed a moment later. “I’m gonna talk it through while we’re goin’. First, this is the gun we’re gonna use.” Jake held up a .22 caliber revolver. “We don’t need no forty-five goin’ off like a howitzer. From up close, a twenty-two is just as deadly and you’re gonna be right on top of him. But remember, we wanna do this guy in the swamp. That means you can’t shoot him before we get here unless you absolutely gotta. So, what you’re gonna do is keep your finger off the trigger. Like this.”
    Jake held the .22 up again. He took his index finger off the trigger and laid it underneath the cylinder.
    “What if he tries to run?”
    “How’s he gonna run when he’s handcuffed inside a locked car? Ya getting me pissed off again, Abe.”
    “Ya can’t learn if ya don’t ask questions.”
    “Ya can’t learn if ya don’t ask questions,” Jake mimicked. “What do I got here, a goddamned schoolteacher? What ya should be thinkin’ is that ya can’t learn if ya don’t shut ya mouth and listen.” He waited for the message to sink in before he continued. “When we get here, I jump out of the car first. I come around to your side and cover this guy in case he decides to run. Then you unlock the door and get him movin’. Now, we’re both gonna go up the path here, but you’re gonna be the one who’s right behind him. Don’t get too close. If ya get too close, he could turn and kick the rod outta ya hand. But, also, don’t get too far away. If he jumps into them bushes, we’ll never find him. Remember, it’s gonna be dark. I don’t wanna use a flashlight unless it’s so black

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