irritated, as though their meeting represented a particularly unwelcome irony. He was not offended.
âFine and dandy, sir. How about yourself?â
Joyce Manning bustled nervously, like a good witch.
âHarry,â she insisted, âyouâve got to let Mr. Strickland see the view from Mattyâs office. He may want to use it.â
Thorne looked blank. âUse it?â
She laughed solicitously. âIn the film, Harry.â
Thorne curled his lip and stepped aside. Easing past him, Strickland inspected the room. It was enormous and high-ceilinged, obviously the renovation of one of the mansionâs ceremonial chambers. There were fine windows over the river, well-placed watercolors, and Navaho rugs on the hardwood floor. There were sunny boat photographs and Acoma pottery on the blond shelves along each wall.
The officeâs working desk was off to one side, as though put there out of indifference to the roomâs prodigality. It was a small desk of indeterminate wood, cluttered and mean, like that of a bureaucrat or petty accountant. Beside it, Strickland formed his very first organized impression of the Hylan Corporation: as a feverish, unhappy place, missing its master. Business might be bad. He began to walk up and down, wondering how the room might be photographed.
âHave you had the chance to see any of Mr. Stricklandâs films yet?â Joyce was asking Harry Thorne. âShall we set one up for you?â
Harry watched Stricklandâs pacing with an air of impatience and declined to be helpful.
âNo,â he said. âNot for me.â
Strickland turned to him.
âToo bad your Mr. Hylan couldnât make it, Mr. Thorne. It would have moved things along. It would have been constructive, if you know what I mean. I would have liked to talk t . . to . . .â
Thorne watched without sympathy as Strickland fought to complete his sentence.
âWe would have liked to talk to him too,â Thorne said finally. âBut he didnât have any time for us today either.â He turned to Joyce Manning. âDid he, Joyce?â
The secretary laughed airily.
âNow that Iâm here,â Strickland asked, âwhat have you got for me?â
âHow about lunch?â Joyce Manning asked. Thorne looked at his watch.
âI donât eat lunch,â Strickland said. He kept smiling. âIâm here to work.â
âShow him the sailing stuff,â Thorne suggested. âShow him the boat. Before you go, ask Mr. Livingston to come see me.â
About a dozen men and women stood silently outside Hylanâs office as Strickland and Joyce Manning emerged. Strickland thought they looked like gloomy corporate officers. The corporate dimension might be interesting, he thought, looking them over. Ten men, two women. Puffy faces, nice clothes.
Following Mrs. Manning down to the boathouse on the river, he saw cloud shadows play on the broad lawns, just the way they were supposed to.
Back in the main building, Harry Thorne was watching his executives file into Matty Hylanâs office. His man Livingston was at his sideâred-faced, sweaty, as full of humor as Thorne was dry.
âStep right up,â Thorne told them, acting the showman. There were a few sad smiles.
âWhat a bunch of zombies,â Thorne said. âEh, Livingston?â
Livingston sighed.
âWe go on from here,â Harry Thorne announced when they were lined up in the office. âWeâre all existentialists here. We go forward.â He pointed the way ahead with an extended arm and an arched wrist, like a lineman claiming possession of a fumbled football. âWeâre mobile. Weâre moving. Weâre going ahead.â
A few throats were cleared. There was slight scattered applause.
âAs you will soon see,â Harry went on, âI have informed the press that we are very much in business and we expect things to stabilize.
Sean Williams
Denis Johnson
Grace Livingston Hill
June Francis
Eric Brown
Randy Jurgensen
Nightrose
Catherine R. Daly
Marcus Rediker
Alyssa Rose Ivy