Read Online Out at Night by Susan Arnout Smith - Free Book Online Page A
Authors: Susan Arnout Smith
Ads: Link
bedroom, or held a TV and favorite books and some comfortable chairs.
But there was nothing normal about this room.
Small school head shots covered the walls. A dizzying blur of faces smiled back, eyes friendly, direct, frozen in time, photos placed so thickly together Grace wasn’t sure what color the walls had once been.
Under each photo Bartholomew had carefully blockprinted out the name of the student. His handwriting was neat, precise. The hairstyles in some of the photos went back thirty years—lacquered helmets and mullets and bubble cuts, and the tape holding the photos and names to the walls was yellowed and cracked.
At some point, Bartholomew had run out of room and had started using the floor and ceiling. It looked like a fungus encroaching, a swirling mass of color and imagery so intense and dislocating Grace had to stop herself from walking out.
It was stuffy in the room but Grace felt cold. She walked around a desk he’d constructed out of a wooden door propped up on cinder blocks, stacked with foot-high columns of books and papers. A brown plastic kitchen container held pens and pencils instead of knives and forks. Buried in the middle of the papers was a Remington typewriter with a piece of paper wound into its platen.
Grace twisted the cartridge. The paper in the typewriter was blank. She looked around the room, trying to absorb it. Trying to slow her heart. Trying not to run.
“What do you think?”
“Reminds me of John Nash.”
Zsloski was silent.
“That schizophrenic mathematician at Princeton who created game theory and later went on to win a Nobel prize. He had a room like this. Only not photos. Equations and—
“Oh my God.” She rocked back on her heels as if she’d been hit in the face. Her stomach clenched and for the first time, she felt a jolt of fear.
Zsloski followed her gaze.
Grace went over to the corner, where two walls connected.
Amid the swirling cacophony of images, taped onto the crowded wall, was a blurry snapshot of Grace, her name block printed under it. Next to the photo, also taped to the wall, was an article from the Desert Sun about the lecture and Bartholomew’s arrest.
Zsloski nodded. That was what he’d brought her here to look at, she knew that now.
“He took that picture that day he crashed my lecture. A month ago.”
“Any idea why?”
She shook her head.
He nodded as if he expected that. “They’ll be asking you about that. And the lecture. You’ve got the address, right?”
She nodded, her eyes still on the photo. She’d seen evil before, more times than she cared to remember. But never such a clear manifestation of insanity. It was a darkness at the end of the road. A troubling message from the grave, every bit as potent as Bartholomew’s Morse code summoning her.
She wondered if somewhere in the room, hidden in plain sight, Bartholomew had taped the face of his killer to the wall.
If even now it was staring at her, smiling.
Chapter 9
The FBI substation was tucked in a group of brown office buildings trimmed in succulents. Perry Como was singing through speakers as she crossed the covered parking lot. There was no identifying sign on the building, nothing in the lobby.
Upstairs, the door was made of steel. To the right was a keypad, to the left, a buzzer. She scanned the ceiling and found it, what looked like a gray convex ceiling light.
Behind the locked steel door were video screens, and on one of those screens she stood in the hallway, leather satchel in hand, a woman of uncommon beauty.
She’d added that last part to make herself smile. Always good to be smiling when caught on a camera in front of an FBI door. It didn’t work. The room in Bartholomew’s house had knocked the smile out of her.
She pressed the button and was buzzed into a small anteroom where an agent stood behind Plexiglas. He was wearing a sports shirt and slacks with no ID tag. He didn’t introduce himself.
There was a metal slot in the glass, like a
But there was nothing normal about this room.
Small school head shots covered the walls. A dizzying blur of faces smiled back, eyes friendly, direct, frozen in time, photos placed so thickly together Grace wasn’t sure what color the walls had once been.
Under each photo Bartholomew had carefully blockprinted out the name of the student. His handwriting was neat, precise. The hairstyles in some of the photos went back thirty years—lacquered helmets and mullets and bubble cuts, and the tape holding the photos and names to the walls was yellowed and cracked.
At some point, Bartholomew had run out of room and had started using the floor and ceiling. It looked like a fungus encroaching, a swirling mass of color and imagery so intense and dislocating Grace had to stop herself from walking out.
It was stuffy in the room but Grace felt cold. She walked around a desk he’d constructed out of a wooden door propped up on cinder blocks, stacked with foot-high columns of books and papers. A brown plastic kitchen container held pens and pencils instead of knives and forks. Buried in the middle of the papers was a Remington typewriter with a piece of paper wound into its platen.
Grace twisted the cartridge. The paper in the typewriter was blank. She looked around the room, trying to absorb it. Trying to slow her heart. Trying not to run.
“What do you think?”
“Reminds me of John Nash.”
Zsloski was silent.
“That schizophrenic mathematician at Princeton who created game theory and later went on to win a Nobel prize. He had a room like this. Only not photos. Equations and—
“Oh my God.” She rocked back on her heels as if she’d been hit in the face. Her stomach clenched and for the first time, she felt a jolt of fear.
Zsloski followed her gaze.
Grace went over to the corner, where two walls connected.
Amid the swirling cacophony of images, taped onto the crowded wall, was a blurry snapshot of Grace, her name block printed under it. Next to the photo, also taped to the wall, was an article from the Desert Sun about the lecture and Bartholomew’s arrest.
Zsloski nodded. That was what he’d brought her here to look at, she knew that now.
“He took that picture that day he crashed my lecture. A month ago.”
“Any idea why?”
She shook her head.
He nodded as if he expected that. “They’ll be asking you about that. And the lecture. You’ve got the address, right?”
She nodded, her eyes still on the photo. She’d seen evil before, more times than she cared to remember. But never such a clear manifestation of insanity. It was a darkness at the end of the road. A troubling message from the grave, every bit as potent as Bartholomew’s Morse code summoning her.
She wondered if somewhere in the room, hidden in plain sight, Bartholomew had taped the face of his killer to the wall.
If even now it was staring at her, smiling.
Chapter 9
The FBI substation was tucked in a group of brown office buildings trimmed in succulents. Perry Como was singing through speakers as she crossed the covered parking lot. There was no identifying sign on the building, nothing in the lobby.
Upstairs, the door was made of steel. To the right was a keypad, to the left, a buzzer. She scanned the ceiling and found it, what looked like a gray convex ceiling light.
Behind the locked steel door were video screens, and on one of those screens she stood in the hallway, leather satchel in hand, a woman of uncommon beauty.
She’d added that last part to make herself smile. Always good to be smiling when caught on a camera in front of an FBI door. It didn’t work. The room in Bartholomew’s house had knocked the smile out of her.
She pressed the button and was buzzed into a small anteroom where an agent stood behind Plexiglas. He was wearing a sports shirt and slacks with no ID tag. He didn’t introduce himself.
There was a metal slot in the glass, like a
Similar Books
