Our Ecstatic Days

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Authors: Steve Erickson
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ocean-cave the rainbow turns into a river, with currents of green and yellow, and tides of orange and purple. They follow the rainbow river until it becomes a rainbow track, where Tyrone the Tugboat becomes Tyrone the Train, and Tyrone the Train carries the boy named Kirk deeper into the cave until finally they come out the other side of a tunnel, andtogether they travel over bridges and past towns and houses and across the desert and through the hills until they reach the end of the track at the shore of a huge lake, where the little boy named Kirk gets out of Tyrone the Train and runs down onto the beach just in time to see Tyrone the Tugboat sailing by; and the boy waves to Tyrone the Tugboat and calls….
    Tyrone the Tugboat! I want to sail away with you!
     

Sometimes, when Lulu had almost forgotten Bronte was still there, her long unborn daughter would wake her: I’m still here. Lulu believes Bronte has come to sense that her twin brother has been gone awhile. She hopes that Bronte doesn’t hate her as Lulu has come to hate herself. But after Lulu separated herself from Kristin, she was stricken by the idea that she had cast her daughter into exile as well. Now Lulu lies in the dark and howls softly to her belly, waiting for an answer.
    A week after having the vision of Kierkegaard flying with the owls, Lulu sails out to Port Justine. From time to time she puts down the oars and unwraps the telescope, searching the sky for him. A western fog comes in from the sea through the WilshireStraits to the west. Once Justine was a billboard on La Cienega Boulevard, advertising Justine herself, a big inflatable doll of a blonde who wasn’t famous for anything except being blonde and famous and bigger than anything in L.A. except her breasts, which were bigger than she was. There isn’t much of Justine left anymore, most of the billboard having floated away long ago. From one upper corner of the billboard, the top of her blonde hair still blows in the wind off the water.
    When Lulu casts her line at Port Justine and the Chinese dockhand pulls in her gondola, he takes her hand and she looks into his eyes and the first thing she thinks of aren’t the letters she got five years ago but her hometown where she grew up, where she was still Kristin … tiny Chinatown up in the Sacramento delta on the tiny island called Davenhall, where she was raised by her uncle in the town tavern and it was full of Chinese ghosts that the old Chinese women claimed they could see caught in the high branches of the island trees lining mainstreet … so Lulu has never seen a beautiful Chinese man before this moment, she didn’t know there were any….
    … so beautiful that for a minute it distracts her from why she’s come, which is to take her telescope and climb the rungs up alongside the billboard to the top, in order to get a better view of the distant horizon … it
distracts
her, the beauty of him. For a moment she betrays her quest to find her son for the distraction of the dockhand’s beauty and the flash of confusion across his eyes; and then she knows it’s
him.
That confusion gives him away and, who knows, maybe in turn something about her reminds him of his own Kristin
—beautiful K—
after all, even with all that labialjewel stuff, maybe something about Lulu is just enough like his own Kristin for them to have shared a name once, for their addresses to have been crossed once, for Lulu-when-she-wasKristin to have moved through the other’s apartment once and seen all the walls that were a little like her own, for her to have felt the presence of a lost child, like hers.
    Taking her hand as she steps onto the dock, he barely holds it. Rather her hand just rests in his; that’s when she notices it.

She can’t help looking, because she thinks at first her eyes are playing a trick on her. Lodged in the middle of his hand is a piece of rounded glass, like a monocle, or the lens of the telescope she carries. As if she could lift his

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