him. I grew up in a three-flat on Deering Road. The folks are still there. What about you?"
Biddy shook his head as if he didn't know.
"We was all over," he said. "You know how that goes when a man's scratchin for work. Come the end of the month, sometimes Dad and the landlor d w udn't seein eye to eye. I must have been near to eighteen 'fore I stopped in askin why we didn't move in daytime like other folks." He smiled at the memory, but his green eyes drifted over to see what I made of that. As the son of a cobbler, though, I knew a lot about hard times. In the Depression, Pa had plenty of work because people wanted to make their shoes last. But many of them couldn't come up with the six bits once their footwear was mended. Some pairs left on credit, if Pa knew who he was talking to, even when it was all but certain he'd never get paid. But he'd let a man walk out barefoot rather than get cheated.
After hearing the gunfire, we stopped several times to check directions with the locals. In the end, a farmer on a horse trotted ahead of us and pointed out the Comtesse's narrow drive, which we might well have missed amid the heavy brush. The Lemolland property was bounded by an old stone fence, topped in the French way in red roofing tiles, but the gate was open and we headed up an incline beside the vineyards, where several workers were tilling among the stubby twists of the grapevines. The plants, hanging on long wire supports, looked to have been recently harvested.
At the top, we found a square formation of joined sand-colored buildings. I thought of a fort, but I suppose the arrangement was a small replica of a f eudal manor. Each wing was several stories high, sporting long red jalousies folded back beside the deep windows and topped with a steep mansard roof. Huge wooden doors were thrown open on an arch that passed through the building facing us, and we drove into a vast cobblestone courtyard. At the far end stood the house. It incorporated a round tower that had to date from the Middle Ages, giving the residence the look of a little castle.
An unshaved worker with a hoe watched us warily as we stopped. Visible behind a corner of the Comtesse's chateau were a ramshackle chicken coop and a pasture, where two cows swished their tails.
At the house, I pulled several times on a bell rope until the door was parted by a large dark man, with the stub of a cigarette in the corner of his mouth and one eye closed to the smoke. He was a Gypsy, with a potato face and women's-length hair tied behind him. In French, I asked for Major Martin. The Gypsy took a second surveying our uniforms, then motioned us in and bellowed up a staircase at his right.
"Ro-bert," he called, giving the name the French pronunciation, without a 't.' "Un moment," he told us, then disappeared out the door we'd entered.
Biddy and I remained in the entry for several minutes. The old house had stone walls of monumental thickness. It was dark and still, except for th e b right kitchen which lay ahead of us at the end of a h all. From there, I could hear voices and a pump handle squealing, and smell pleasant aromas--burning wood and something cooking. Standing here, I was reminded of waiting in the foyer of Grace's great stone house, when I would pick her up for the evening. They were excruciating moments for me, especially when her father was around, since he was convinced I was a fortune hunter. For my part, the distaste was mutual. Privately, I realized that Horace Morton would never accept my good intentions regarding his daughter, because he himself wouldn't have pursued any girl without first knowing all about her bank account.
With great pounding, a middle-sized man in a khaki Army officer's shirt bounded down the heavy stairs. He wore no tie or insignia but there was a trench knife on his belt, in addition to a bayonet in its scabbard. This, without question, was Major Martin.
Biddy and I saluted. Smiling, he tapped his forehead, but only to be
Biddy shook his head as if he didn't know.
"We was all over," he said. "You know how that goes when a man's scratchin for work. Come the end of the month, sometimes Dad and the landlor d w udn't seein eye to eye. I must have been near to eighteen 'fore I stopped in askin why we didn't move in daytime like other folks." He smiled at the memory, but his green eyes drifted over to see what I made of that. As the son of a cobbler, though, I knew a lot about hard times. In the Depression, Pa had plenty of work because people wanted to make their shoes last. But many of them couldn't come up with the six bits once their footwear was mended. Some pairs left on credit, if Pa knew who he was talking to, even when it was all but certain he'd never get paid. But he'd let a man walk out barefoot rather than get cheated.
After hearing the gunfire, we stopped several times to check directions with the locals. In the end, a farmer on a horse trotted ahead of us and pointed out the Comtesse's narrow drive, which we might well have missed amid the heavy brush. The Lemolland property was bounded by an old stone fence, topped in the French way in red roofing tiles, but the gate was open and we headed up an incline beside the vineyards, where several workers were tilling among the stubby twists of the grapevines. The plants, hanging on long wire supports, looked to have been recently harvested.
At the top, we found a square formation of joined sand-colored buildings. I thought of a fort, but I suppose the arrangement was a small replica of a f eudal manor. Each wing was several stories high, sporting long red jalousies folded back beside the deep windows and topped with a steep mansard roof. Huge wooden doors were thrown open on an arch that passed through the building facing us, and we drove into a vast cobblestone courtyard. At the far end stood the house. It incorporated a round tower that had to date from the Middle Ages, giving the residence the look of a little castle.
An unshaved worker with a hoe watched us warily as we stopped. Visible behind a corner of the Comtesse's chateau were a ramshackle chicken coop and a pasture, where two cows swished their tails.
At the house, I pulled several times on a bell rope until the door was parted by a large dark man, with the stub of a cigarette in the corner of his mouth and one eye closed to the smoke. He was a Gypsy, with a potato face and women's-length hair tied behind him. In French, I asked for Major Martin. The Gypsy took a second surveying our uniforms, then motioned us in and bellowed up a staircase at his right.
"Ro-bert," he called, giving the name the French pronunciation, without a 't.' "Un moment," he told us, then disappeared out the door we'd entered.
Biddy and I remained in the entry for several minutes. The old house had stone walls of monumental thickness. It was dark and still, except for th e b right kitchen which lay ahead of us at the end of a h all. From there, I could hear voices and a pump handle squealing, and smell pleasant aromas--burning wood and something cooking. Standing here, I was reminded of waiting in the foyer of Grace's great stone house, when I would pick her up for the evening. They were excruciating moments for me, especially when her father was around, since he was convinced I was a fortune hunter. For my part, the distaste was mutual. Privately, I realized that Horace Morton would never accept my good intentions regarding his daughter, because he himself wouldn't have pursued any girl without first knowing all about her bank account.
With great pounding, a middle-sized man in a khaki Army officer's shirt bounded down the heavy stairs. He wore no tie or insignia but there was a trench knife on his belt, in addition to a bayonet in its scabbard. This, without question, was Major Martin.
Biddy and I saluted. Smiling, he tapped his forehead, but only to be
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