Nutshell

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Authors: Ian McEwan
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Trudy’s glad. Everyone who knows us is glad and relieved. We trusted each other, now we don’t. We loved each other, now I detest her as much as she detests me. Trudy, my sweet, I can hardly stand the sight of you. There have been times when I could have strangled you. I’ve had dreams, happy dreams, in which I see my thumbs tightening against your carotid arteries. I know you feel the same about me. But that’s no cause for regret. Let’s rejoice instead. These are just the dark feelings we need to set ourselves free, to be reborn into new life and new love. Elodie and I have found that love and we are bound by it for the rest of our lives.”
    “Wait,” Elodie says. I think she fears my father’s taste for indiscretion.
    But he won’t take an interruption. “Trudy and Claude, I’m happy for you. You came together at the perfect moment. No one will deny it, you truly deserve each other.”
    This is a curse, though my father sounds impenetrably sincere. To be tied to a man as vapid but sexually vigorous as Claude is a complex fate. His brother knows it. But shush. He’s still talking.
    “There are arrangements to make. There’ll be arguments and stress. But the overall scheme is simple, and for that we’re blessed. Claude, you have your nice big place in Primrose Hill, and Trudy, you can move there. I’ll be moving some stuff back in here tomorrow. As soon as you’ve gone and the decorators have done their work, Elodie will move in with me. I suggest we don’t see each other for a year or so, and then think again. The divorce should be straightforward. The important thing to remember at all times is to be rational and civil and to remember how lucky we are to have found love again. OK? Good. No, no, don’t get up. We’ll see ourselves out. Trudy, if you’re here, I’ll see you tomorrow around ten. I won’t stay long—I’ve got to get straight up to St. Albans. And by the way, I’ve found my key.”
    There’s the sound of a chair as Elodie stands. “Wait, I mean, may I say something now?”
    My father is genial and firm. “Not remotely appropriate.”
    “But—”
    “C’mon. Time to go. Thanks for the wine.”
    A moment of throat-clearing, then their footsteps recede across the kitchen and up the stairs.
    My mother and her lover sit in silence as we listen to them go. We hear the front door close upstairs with a punctuating, final sound. A full stop. Trudy and Claude are stunned. I’m in turmoil. What was I in my father’s peroration? Dead. Head-first in a burial mound within his hated ex-wife’s gut. Not even a mention, not in an aside, not even dismissed as an irrelevance. A year “or so” must pass before my saviour sees me. He paid tribute to honest memory and he forgot me. In a rush towards his own rebirth, he discarded mine. Fathers and sons. I heard it once and won’t forget.
What links them in nature? An instant of blind rut.
    Try this. He moved to Shoreditch to sample a tryst with Elodie. He vacated the Terrace so Claude could move in and give John good cause to throw Trudy out. The anxious visits, the earnest poetry, even the lost key were feints, lulling her into greater security with Claude, drawing them together.
    Claude is pouring more wine. In the circumstances it’s a comfort, how he reaches with dull precision for his most vacuous thought.
    “Fancy that.”
    Trudy doesn’t speak for half a minute. When she does, her words are slurred but her resolve is clear.
    “I want him dead. And it has to be tomorrow.”

EIGHT
    Outside these warm, living walls an icy tale slides towards its hideous conclusion. The midsummer clouds are thick, there’s no moon, not the faintest breeze. But my mother and uncle are talking up a winter storm. The cork is drawn from one more bottle, then, too soon, another. I’m washed far downstream of drunkenness, my senses blur their words but I hear in them the form of my ruin. Shadow figures on a bloody screen are arguing in hopeless struggle

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