Read Online Not Dead Yet (Roy Grace 8) by Peter James - Free Book Online Page A
Authors: Peter James
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to account for their actions on a major crime investigation, by any subsequent review of their case, they could refer back to it.
An important part of the entries into Grace’s Policy Book was his hypothesis for the motives of any murder and how the victim came to meet his or her death.
His first note today was:
1. No arms, no legs/head. Organized crime? Killed by unknown person.
2. Drugs deal reprisal?
3. Person known to police – get rid of identity?
There was a whole raft of other motives, but in his view, none that led to this kind of mutilation of a corpse.
When he had finished, he just had time to make himself a coffee, then hurry through to the morning briefing.
*
‘The time is 8.30 a.m., Saturday, June the fourth,’ Roy Grace read out from his typed notes. ‘This is the second briefing of Operation Icon , the enquiry into the death of an unknown man whose headless, armless and legless torso was discovered at Stonery Farm, Berwick, East Sussex, yesterday.’
‘Legless, chief?’ interrupted Norman Potting. ‘Was he pissed?’
There was a titter of laughter, which Grace silenced with a glare. His good mood from last night remained with him this morning, and Potting wasn’t going to spoil that. He’d got up early, done a five-mile run along Brighton seafront in glorious early morning sunshine, with Humphrey loping happily alongside him, and had arrived in his office in the CID HQ, on the edge of the city, an hour ago.
From his early days as a Senior Investigating Officer, Roy Grace had learned the value of cultivating the friendship of the Senior Support Officer Tony Case, who allocated the Major Incident Suites – of which, since the budget cuts, there were now only two in this county and two in neighbouring Surrey – to the enquiry teams. Case knew that Grace favoured this one in Brighton, MIR-1, in the same building as his office, and had managed, yet again, to secure it for him.
The two Major Incident Rooms at Sussex House, MIR-1 and MIR-2 were the nerve centres for major crime enquiries. Despite opaque windows too high to see out of, MIR-1 had an airy feel, good light, good vibes. Grace always felt energized here.
Already some wit – Glenn Branson he suspected – had stuck a cartoon on the inside of the door. It was an image from the film Chicken Run .
Seated attentively at the curved desks around him were the twenty members of his team he had assembled since leaving the farm shortly after midday yesterday. The regulars he had present were Detective Sergeant Bella Moy, in her mid-thirties and still living with her mother; even at this early hour she was busily attacking the inevitable red box of Maltesers in front of her; Detective Constable Nick Nicholl, beanpole tall, yawning as usual after yet another sleepless night with his baby son; Glenn Branson, in a cream suit and a pistachio coloured tie; and Norman Potting, who had joined the police relatively late in life, a curmudgeonly but very effective Detective Sergeant, who had a string of failed marriages behind him.
Normally shabbily dressed, with a greasy comb-over and reeking of pipe tobacco, Potting looked different today, both younger and smarter. His grey hair had turned dark brown. He was wearing a smart blue suit with a cream shirt and a tie that, for once, had not been decorated with his breakfast. And he exuded a reek of not unpleasant cologne. Someone had given the man a very thorough and effective makeover. Yet another new woman?
The only one of his regulars absent today was attractive, young DC Emma-Jane Boutwood, who was away on honeymoon. Among the rest of the team were several more detectives, including two DCs he had worked with previously, Emma Reeves and Jon Exton, a detective Grace was keeping his eye on because he thought him exceptionally bright; David Green, the Crime Scene Manager; a crime analyst; an indexer and Sue Fleet, the press officer.
On the work surface in front of Grace lay his agenda and his
An important part of the entries into Grace’s Policy Book was his hypothesis for the motives of any murder and how the victim came to meet his or her death.
His first note today was:
1. No arms, no legs/head. Organized crime? Killed by unknown person.
2. Drugs deal reprisal?
3. Person known to police – get rid of identity?
There was a whole raft of other motives, but in his view, none that led to this kind of mutilation of a corpse.
When he had finished, he just had time to make himself a coffee, then hurry through to the morning briefing.
*
‘The time is 8.30 a.m., Saturday, June the fourth,’ Roy Grace read out from his typed notes. ‘This is the second briefing of Operation Icon , the enquiry into the death of an unknown man whose headless, armless and legless torso was discovered at Stonery Farm, Berwick, East Sussex, yesterday.’
‘Legless, chief?’ interrupted Norman Potting. ‘Was he pissed?’
There was a titter of laughter, which Grace silenced with a glare. His good mood from last night remained with him this morning, and Potting wasn’t going to spoil that. He’d got up early, done a five-mile run along Brighton seafront in glorious early morning sunshine, with Humphrey loping happily alongside him, and had arrived in his office in the CID HQ, on the edge of the city, an hour ago.
From his early days as a Senior Investigating Officer, Roy Grace had learned the value of cultivating the friendship of the Senior Support Officer Tony Case, who allocated the Major Incident Suites – of which, since the budget cuts, there were now only two in this county and two in neighbouring Surrey – to the enquiry teams. Case knew that Grace favoured this one in Brighton, MIR-1, in the same building as his office, and had managed, yet again, to secure it for him.
The two Major Incident Rooms at Sussex House, MIR-1 and MIR-2 were the nerve centres for major crime enquiries. Despite opaque windows too high to see out of, MIR-1 had an airy feel, good light, good vibes. Grace always felt energized here.
Already some wit – Glenn Branson he suspected – had stuck a cartoon on the inside of the door. It was an image from the film Chicken Run .
Seated attentively at the curved desks around him were the twenty members of his team he had assembled since leaving the farm shortly after midday yesterday. The regulars he had present were Detective Sergeant Bella Moy, in her mid-thirties and still living with her mother; even at this early hour she was busily attacking the inevitable red box of Maltesers in front of her; Detective Constable Nick Nicholl, beanpole tall, yawning as usual after yet another sleepless night with his baby son; Glenn Branson, in a cream suit and a pistachio coloured tie; and Norman Potting, who had joined the police relatively late in life, a curmudgeonly but very effective Detective Sergeant, who had a string of failed marriages behind him.
Normally shabbily dressed, with a greasy comb-over and reeking of pipe tobacco, Potting looked different today, both younger and smarter. His grey hair had turned dark brown. He was wearing a smart blue suit with a cream shirt and a tie that, for once, had not been decorated with his breakfast. And he exuded a reek of not unpleasant cologne. Someone had given the man a very thorough and effective makeover. Yet another new woman?
The only one of his regulars absent today was attractive, young DC Emma-Jane Boutwood, who was away on honeymoon. Among the rest of the team were several more detectives, including two DCs he had worked with previously, Emma Reeves and Jon Exton, a detective Grace was keeping his eye on because he thought him exceptionally bright; David Green, the Crime Scene Manager; a crime analyst; an indexer and Sue Fleet, the press officer.
On the work surface in front of Grace lay his agenda and his
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